Performances

January 11 – Pittsburgh, PA/Cargnegie Music Hall: mo(nu)ment for C/palimpsest
Composition for Baritone, Trumpet, Trombone, Bass Clarinet, and String Orchestra (loadbang Ensemble) – Edge Series –

February 16 – New York, NY/City Center: mo(ve)ment for 2: Choreophonie – Schattentanz, Spiegeltanz –
Composition for Violin with Piano (Dori Na, Melody Fader) – New Chamber Ballet Series –

February 17 – New York, NY/City Center: mo(ve)ment for 2: Choreophonie – Schattentanz, Spiegeltanz –
Composition for Violin with Piano (Dori Na, Melody Fader) – New Chamber Ballet Series –

February 17 – New York, NY/Manhattan School of Music: tanz.tanz
Composition for Solo Violin (Lena Vidulich)

February 24 – Organe, CA/Chapman University: land of silence: waves – bridges
Composition (in Reference to Kathleen Furthmann) for Baritone, Trumpet, Trombone, and Bass Clarinet (loadbang Ensemble)

March 2 – Irvine, CA/University of California Irvine: land of silence: waves – bridges
Composition (in Reference to Kathleen Furthmann) for Baritone, Trumpet, Trombone, and Bass Clarinet (loadbang Ensemble)

April 1 – New York, NY/Manhattan School of Music: Five Meditations on Music from Luigi Rossi's Collection
Composition 5 for Solo Piano (Humay Gasimzadeh)

April 6 – Cambridge, MA/Longy School of Music at Bard College: eternal return (Passacaglia)
Composition after Friedrich Nietzsche for Soprano and Trumpet (Corrine Byrne, Andy Kozar)

April 15 – Pirna, DEU/: als ein licht
Composition after Kathleen Furthmann for Vocal Ensemble, Gamba Quintet, Percussion Quartet, and Positiv (Auditivvokal Dresden/Olaf Katzer) – Festival Sandstein & Musik –

April 15 – Pirna, DEU/: in allem frieden
Composition after Kathleen Furthmann for Vocal Ensemble, Gamba Quintet, Percussion Quartet, and Positiv (Auditivvokal Dresden/Olaf Katzer) – Festival Sandstein & Musik –

May 18 – München, DEU/Schwerer Reiter: Weg, Lied der Schwäne
Composition for Ensemble (Ensemble BlauerReiter/Armando Merino)

May 18 – München, DEU/Schwerer Reiter: Stabat Mater
Composition for Vocalist, Narrator, Dancer, and Ensemble (Ensemble BlauerReiter/Armando Merino)

May 26 – Magdeburg, DEU/Gesellschaftshaus: als ein licht
Composition after Kathleen Furthmann for Vocal Ensemble, Gamba Quintet, Percussion Quartet, and Positiv (Auditivvokal Dresden/Olaf Katzer)

May 26 – Magdeburg, DEU/Gesellschaftshaus:in allem frieden
Composition after Kathleen Furthmann for Vocal Ensemble, Gamba Quintet, Percussion Quartet, and Positiv (Auditivvokal Dresden/Olaf Katzer)

October 12 – Dresden, DEU/Militärhistorisches Museum: als ein licht
Composition after Kathleen Furthmann for Vocal Ensemble, Gamba Quintet, Percussion Quartet, and Positiv (Auditivvokal Dresden/Olaf Katzer) – Heinrich Schütz Musikfest –

October 12 – Dresden, DEU/Militärhistorisches Museum:in allem frieden
Composition after Kathleen Furthmann for Vocal Ensemble, Gamba Quintet, Percussion Quartet, and Positiv (Auditivvokal Dresden/Olaf Katzer) – Heinrich Schütz Musikfest –

October 13 – Gera, DEU/Kirche St. Salvator: als ein licht
Composition after Kathleen Furthmann for Vocal Ensemble, Gamba Quintet, Percussion Quartet, and Positiv (Auditivvokal Dresden/Olaf Katzer) – Heinrich Schütz Musikfest –

October 13 – Gera, DEU/Kirche St. Salvator:in allem frieden
Composition after Kathleen Furthmann for Vocal Ensemble, Gamba Quintet, Percussion Quartet, and Positiv (Auditivvokal Dresden/Olaf Katzer) – Heinrich Schütz Musikfest –

Performances

January 19 – Tehran, IRN/Vahdat Hall: land – haus – berg
Composition 4 for Piano (Yegor Shevtsov) – Fair International Music Festival –

February 12 – Albuquerque, NM/University of New Mexico: Mo(nu)ment for C
Composition for Baritone, Bass Clarinet, Trumpet, Trombone, and String Orchestra (loadbang Ensemble/David Felberg)

February 12 – Albuquerque, NM/University of New Mexico: land of silence: waves – bridges
Composition (in Refernce to Kathleen Furthmann) for Baritone, Bass Clarinet, Trumpet, and Trombone (loadbang Ensemble)

March 4 – Anchorage, AK/Anchorage Museum: Ach Elslein, liebes Elselein
Composition after the German Folk Song for Violin and Viola (Oivia de Prato, Victor Lowrie)

March 18 – Tokyo, JPN/: leaving without/palimpsest
Composition for Piano with Clarinet (Aki Takahashi, Tom Pierce)

March 26 – Hamburg, DEU/St. Pauli Church: tanz.tanz
Composition for Violin (René Hirschfeld)

April 6 – Amsterdam, NLD/Portugese Synagogue: names, erased
Composition 2 for Violoncello (René van Munster)

April 6 – Amsterdam, NLD/Portugese Synagogue: tanz.tanz
Composition for Violin (Marina Hutchinson)

April 6 – Miami, FL/Miami Beach Urban Studio Main Gallery: eternal return (Passacaglia)
Composition after Friedrich Nietzsche for Soprano and Trumpet (Corrine Byrne, Andy Kozar) – New Music Miami –

April 12 – New York, NY/Manhattan School of Music: "und ich bin Dein Spiegel"
Composition after Mechthild von Magdeburg for Soprano and String Quartet (Tactus Ensemble)

April 12 – Miama, FL/Miami Beach Urban Studio Main Gallery: eternal return (Passacaglia)
Composition after Friedrich Nietzsche for Soprano and Trumpet (Corrine Byrne, Andy Kozar)

April 27 – New York, NY/Manhattan School of Music: names, erased
Composition 2 for Violoncello (Thea Mesirow)

April 29 – New York, NY/DUMBO: tanz.tanz
Composition for Violin (Doori Na) – Brooklyn Bridge Dance Festival –

April 29 – New York, NY/Manhattan School of Music: ist – mensch – geworden
Composition for Flute and Piano (Aawa White, Humay Gasimzadeh)

May 16 – Berlin, DEU/BKA: tanz.tanz
Composition for Violin (René Hirschfeld) – Unerhörte Musik –

June 16 – Augsburg (Germany)/Utopia Toolbox: Weg, Lied der Schwäne
Composition for Ensemble (Ensemble BlauerReiter/Armando Merino)

June 17 – New York, NY/Governor's Island: ...dance...
Dance-Composition for Mezzo Soprano, Baritone, and Percussion, with live-electronics (Megan Schuber, Drake Anderson)

July 5 – Omaha, NE/Under the Radar: tanz.tanz
Composition for Violin (Maya Bennardo) – Under the Radar –

Performances

January 10 – Chicago/Constellation: Hine Ma Tov
Arrangement for Guitar (Dan Lippel)

January 14 – New York/Gallery MC: "...gesammeltes Schweigen"
Composition after Reiner Bonack for Baritone and Piano/Version for Mezzo Soprano (Beth Griffith)

January 15 – Amsterdam/Amstelkerk: versinkend, versingend, verklingend: fernes Lied
Composition for Vocal Quartet and Ensemble (Damask Ensemble, Oerknal! Ensemble/Gregory Charette)

January 16 – De Haag/Agenda Korzo Thater: versinkend, versingend, verklingend: fernes Lied
Composition for Vocal Quartet and Ensemble (Damask Ensemble, Oerknal! Ensemble/Gregory Charette)

January 17– New York/Manhattan School of Music: tanz.tanz
Composition for Violin (Caroline Cox)

February 23 – New York/National Sawdust: re-fraction: shadows/palimpsest 1
Composition for Violoncello with Violin (Pala Garcia, John Popham)

February 26 – Fullerton, CA/Cal State University: land of silence: waves – bridges
Composition (in Refernce to Kathleen Furthmann) for Trumpet, Trombone, Bass Clarinet, and Baritone (loadbang Ensemble)

March 3 – Greenville, NC/Eastern Carolina University: land of silence: waves – bridges
Composition (in Refernce to Kathleen Furthmann) for Trumpet, Trombone, Bass Clarinet, and Baritone (loadbang Ensemble)

March 31 – New York/Manhattan School of Music: mo(nu)ment for 129
Composition for Percussion Sextet (MSM Percussion Ensemble/Jeff Milarsky)

April 4 – New York/Spectrum: "...gesammeltes Schweigen"
Composition after Reiner Bonack for Baritone and Piano/Versino for Mezzo Soprano (Nina Dante)

April 6 – Bloomburg, PA/Bloomsburg University: wand-uhr: infinite shadows (Prélude)
Composition 2 für Guitar solo (Dan Lippel)

April 10 – New York/Spectrum: wand-uhr: infinite shadows (Prélude)
Composition 2 für Guitar solo (Dan Lippel)

April 13 – Dresden/Projekttheater: "bis die Zeit ein Ende hat"
Composition after Kathleen Furthmann for Mezzo Soprano and Piano Trio Aneta Petrasová, elole Klaviertrio)

April 13 – Dresden/Projekttheater: land – haus – berg
Composition 4 for Piano (Stefan Eder)

April 17 – New York/Manhattan School of Music: Kaddish: The Art of Losing
Composition for Violoncello and Piano/Version for Viola and Piano (Carrie Frey, TBD)

April 25 – Lausanne/Haute Ecole de Musique: re-fraction: shadows/palimpsest 2
Composition for Violoncello with Violin and Piano (Trio Atanassov)

April 30 – New York/Opera America: leaving without/palimpsest
Composition for Piano with Clarinet (Dorothy Chan, Carlos Cordeiro)

June 6 – New York/James Joyce Society: tanz.tanz
Composition for Violin (Pala Garcia)

July 12 – Klütz/Castle: Four German Folk Songs
Arrangements for Voice and Piano (Nani Füting, Reiko Füting)

July 24 – Niederlehme/Church: Two American Folk Songs
Arrangements for Voice and Piano (Nani Füting, Reiko Füting)

September 3 – Newburgh/Atlas Industries: Four German Folk Songs
Arrangements for Voice and Piano (Nani Füting, Reiko Füting)

September 3 – Newburgh/Atlas Industries: Three American Folk Songs
Arrangements for Voice and Piano (Nani Füting, Reiko Füting) – Queen of the Hudson Concert Series –

September 9 – Utrecht/TivoliVredenburg: Weg, Lied der Schwäne
Composition for Ensemble (Oerknal! Ensemble/Greg Charette) – Gaudeamus Festival –

September 16 – New York/City Center: tanz.tanz
Composition for Violin (Doori Na) – New Chamber Ballet Series –

September 17 – New York/City Center: tanz.tanz
Composition for Violin (Doori Na) – New Chamber Ballet Series –

October 23 – Cincinnati, OH/CCM: Kaddish: The Art of Losing
Composition for Violoncello and Piano (Ashley Bathgate, Karl Larson)

October 25 – Ann Arbor, MI/University of Michigan: Kaddish: The Art of Losing
Composition for Violoncello and Piano (Ashley Bathgate, Karl Larson)

October 26 – Columbus, OH/Short North Stage: Kaddish: The Art of Losing
Composition for Violoncello and Piano (Ashley Bathgate, Karl Larson) – Johnstone Fund for New Music Series –

November 10 – Zurich/Kulturhaus Helferei: tanz.tanz
Composition for Violin

November 11 – New York/Tenri Cultural Center: leaving without/palimpsest
Composition for Piano with Clarinet (Taka Kigawa, Tom Pierce)

November 14 – New York/MSM: versinkend, versingend, verklingend: fernes Lied
Composition for Vocal Quartet and Ensemble (various performers/Kyle Ritenauer)

November 17 – Buffalo, NY/Unitarian Universalist Church: “…und wo Du bist”
Composition after Kathleen Furthmann for Vocal Ensemble a cappella (Vocal Ensemble)

November 18 – New York/City Center: tanz.tanz
Composition for Violin (Doori Na) – New Chamber Ballet Reihe –

November 19 – New York/City Center: tanz.tanz
Composition for Violin (Doori Na) – New Chamber Ballet Reihe ––

21. November – New York/Manhattan School of Music: leaving without/palimpsest
Composition for Piano with Clarinet (Brian Daurelle, Ford Forqurean)

December 1 – New York/MSM: Weg, Lied der Schwäne
Composition for Ensemble (Tactus Ensemble/Jeff Milarsky)

December 3 – Williamstown, MA/Williams College: mo(nu)ment for 129
Composition for Percussion Sextet (Williams College Percussion Ensemble/Matt Gold)

Concerts

July 12 – Klütz/Castle: Lied recital with Nani Füting and Matthias Vieweg (Schubert, Schumann, Brahms, Schönberg)

July 24 – Niederlehme/Church: Lied recital with Nani Füting (Songs and Arias)

September 3 – Newburgh/Atlas Industries: Lied recital with Nani Füting (Schumann, Brahms, Schönberg, Vigeland, Füting)

Guest Lectures

September 20 – Philadelphia/University of Pennsylvania: Mussic and Time

Choir Workshops

July 2/3 – Wenkheim/Synagogue: Artikus e.V. (Artistic Initiative Lauda-Königshofen – Organization for Intercultural Dialogue)

Board Member

The Dwight and Ursula Mamlok Foundation

Performances

January 18 – Toledo/Toledo Museum of Art: ist – mensch – geworden
Composition for Flute and Piano (Conor Nelson, Thomas Rosenkranz)

January 18 – Toledo/Toledo Museum of Art: land – haus – berg
Composition 4 for Piano (Thomas Rosenkranz)

January 22 – Bowling Green/BGSU: ist – mensch – geworden
Composition for Flute and Piano (Conor Nelson, Thomas Rosenkranz)

January 22 – Bowling Green/BGSU: land – haus – berg
Composition 4 for Piano (Thomas Rosenkranz)

January 31 – Denver/Wash Park Center for Music & Arts: tanz.tanz
Composition for Violin

February 7 – Boulder/First Presbyterian Church: tanz.tanz
Composition for Violin (Playground Ensemble)

February 7 – Worcester, MA/Clark University: light, asleep
Composition for Violin and Piano (Karen Kim, Wei-Chieh Lin)

February 22 – New York/Wave Hill: leaving without/palimpsest 3
Composition for Piano with Clarinet and Violin (Zodiac Trio) – Composers Now Festival –

March 12 – Leipzig/Schaubühne Lindenfels: land – haus – berg
Composition 4 for Piano (Reiko Füting)

March 15 – New Brunswick, NJ/Zimmerli Art Museum: land – haus – berg
Composition 4 for Piano (Jing Yang)

March 20 – Boston/Boston University: ist – mensch – geworden
Composition for Flute and Piano (Luna Kang, Jing Yang)

March 20 – Boston/Boston University: land – haus – berg
Composition 4 for Piano (Jing Yang)

March 24 – Heidelberg/HebelHalle: Ach weh des leiden/Mille regrets
Arrangements for Clarinet, Violin, Violoncello, and Piano (Pérez Iñesta Quartet)

March 29 – Brooklyn/Roulette: Mo(nu)ment for C
Composition for Baritone, Bass Clarinet, Trumpet, Trombone, and String Orchestra (loadbang Ensemble, String Orchestra of Brooklyn/Eli Spindel) – String Theories Festival –

March 29 – Brooklyn/Roulette: land of silence: waves – bridges
Composition (in Refernce to Kathleen Furthmann) for Trumpet, Trombone, Bass Clarinet, and Baritone (loadbang Ensemble)

April 14 – New York/Miller Theater: tanz.tanz
Composition for Violin (Olivia de Prato) – Pop Up Concert Series –

April 18 – New York/Miller Theater: tanz.tanz
Composition for Violin (Pala Garcia) – Columbia Ballet Collaborative –

April 18 – New York/Miller Theater: tanz.tanz
Composition for Violin (Pala Garcia) – Columbia Ballet Collaborative –

April 28 – New York/Deutsches Konsulat: names, erased
Composition for Violoncello/Version for Viola (Anne Lanzilotti)

June 9 – Umbertide/Civitella Ranieri: "...gesammeltes Schweigen"
Composition after Reiner Bonack for Baritone and Piano/Versino for Mezzo Soprano (Nani Füting)

June 9 – Umbertide/Civitella Ranieri: land – haus – berg
Composition 4 for Piano (Reiko Füting)

June 9 – Umbertide/Civitella Ranier: Zwei Volkslieder
Arrangements for Voice and Piano (Nani Füting, Reiko Füting)

August 29 – Newburgh/Atlas Industries: tanz.tanz
Composition for Violin (Pala Garcia) – Queen of the Hudson Concert Series –

September 4 – Berlin/Paul-Gerhardt-Kirche: tanz.tanz
Composition for Violin (C. René Hirschfeld)

September 12 – New York/Opera America: names, erased
Composition for Violoncello (John Popham) – New Focus/Reiko Füting CD release –

September 12 – New York/Opera America: ist – mensch – geworden
Composition 2for Flute and Piano (Martha Cargo, Yegor Shevtsov)

September 12 – New York/Opera America: land – haus – berg
Composition 24 for Piano (Yegor Shevtsov)

September 12 – New York/Opera America: tanz.tanz
Composition for Violin (Pala Garcie)

September 12 – New York/Opera America: finden – suchen
Composition for Alto Flute, Violoncello, and Piano (Martha Cargo, John Popham, Yegor Shevtsov)

September 22 – New York/Housing Works Bookstore: "...gesammeltes Schweigen"
Composition after Reiner Bonack for Baritone and Piano/Versino for Mezzo Soprano (Nani Füting)

October 2 – New York/TBD: Ach Elslein, liebe Elselein/extraction
Composition for Trumpet and Trombone (Andy Kozar, Will Lang)) – New Focus/loadbang CD release –

Oktober 22 – New York/Deutsches Konsulat: re-fraction: shadows/palimpsest 2
Composition after Kathleen Furthmann for Mezzo-Soprano and Piano Trio (longleash piano trio)

Oktober 22 – New York/Deutsches Konsulat: "bis die Zeit ein Ende hat"
Composition after Kathleen Furthmann for Mezzo-Soprano and Piano Trio (Nani Füting, longleash piano trio)

November 6 – Amsterdam/Splendor: Zug/Gesang der Schwäne
Composition for Ensemble (Oerknal Ensemble/Lewis Nielson)

November 7 – De Haag/Gemak: Zug/Gesang der Schwäne
Composition for Ensemble (Oerknal Ensemble/Lewis Nielson)

November 7 – Magdeburg/Gesellschaftshaus: land – haus – berg
Composition 4 for Piano (Jing Yang)

November 15 – New York/Good Shephard Church: Hine Ma Tov
Arrangement for Guitar (Dan Lippel)

November 16 – New York/Manhattan School of Music: Gesegn dich, Laub
Composition/Arrangement after the German Folk Song für Clarinet and Violoncello (Stephenie Ng, John Popham)

November 16 – New York/Manhattan School of Music: Hine Ma Tov
Arrangement for Guitar (Dan Lippel)

November 22 – Leipzig/Synagoge: Di Mashke
Arrangement for Mixed Chorus with Piano and Violin (Synagogalchor Leipzig/Ludwig Böhme)

December 21 – Berlin/Dom: Stille Nacht
Arrangement for Mixed Chorus (Radio Choir Berlin/Nikolas Fink)

December 22 – Berlin/Dom: Stille Nacht
Arrangement for Mixed Chorus (Radio Choir Berlin/Nikolas Fink)

Concerts

March 12 – Leipzig/Schaubühne Lindenfels: Lied recital with Nani Füting (Mussorgski, Debussy, Schönberg, u.a.)

May 2 – Bronxville/Reformed Church of Bronxville: Opera arias with Nani Füting (Purcell, Vivaldi)

June 9 – Umbertide/Civitella Ranieri: Lied recital with Nani Füting (Schumann, Brahms, Schönberg, Füting)

September 22 – New York/Housing Works Bookstore: Lied recital with Nani Füting (Schumann, Brahms, Schönberg, Füting)

Guest Lectures

March 20 – Boston/Boston University: Panel Disucssion (College Music Society)

June 10 – Umbertide/Civitella Ranieri: Music and Time

Choir Workshops

July 4/5 – Wenkheim/Synagogue: Artikus e.V. (Artistic Initiative Lauda-Königshofen – Organization for Intercultural Dialogue)

Publications: Scores

Abundant Silence Publishing: tanz.tanz (Composition for Violin solo)
Carus Publishing: Eta notch (Arrangement for Mixed Chorus)
Schott Publishing: O Heiland, reiß die Himmel auf (Arrangement for Mixed Chorus)

CD-Releases

New Focus Recordings: names, erased (Portrait-CD with instrumental and vocal solo and chamber music/various performers)
New Focus Recordings: land of silence (Composition for Baritone, Trumpet, Trombone, and Bass Clarinet/loadbang Ensemble)
Carus: Eta notch (Arrangement for Mixed Chorus/Calmus Ensemble)
Oehms Classics: O Heiland, reiß die Himmel auf (Arrangement for Mixed Chorus/Singer Pur Ensemble)

Performance

January 16 – New York/Steinway Hall: leaving without
Composition 2 for Piano (Amir Khosrowpour)

January 25 – New York/Zeavin-Moss residence, Brooklyn: names, erased
Composition 2 for Violoncello/Version for Viola (Erin White) – House Concert–

January 28 – Stillwater/Oklahoma State University: leaving without
Composition 2 for Piano (Amir Khosrowpour)

February 19 – Columbus/Ohio State University: re-fraction: shadows/palimpsest 2
Composition for Violoncello with Violin and Piano (John Popham, Pala Garcia, Renate Rohlfing: longleash Ensemble)

March 21 – New York/The Firehouse Space, Brooklyn: leaving without/palimpsest
Composition for Piano with Clarinet (Amir Khosrowpour, Gregory Oaks)

March 21 – New York/Park Avenue Armory: ...dance...
Dance-Composition for Mezzo Soprano, Baritone, and Percussion, with live-electronics (Nani Füting, Jeff Gavett, Jacek Mioduszewski, Drake Anderson)

March 22/12 p.m. – New York/Park Avenue Armory: ...dance...
Dance-Composition for Mezzo Soprano, Baritone, and Percussion, with live-electronics (Nani Füting, Jeff Gavett, Jacek Mioduszewski, Drake Anderson)

March 22/3 p.m. – New York/Park Avenue Armory: ...dance...
Dance-Composition for Mezzo Soprano, Baritone, and Percussion, with live-electronics (Nani Füting, Jeff Gavett, Jacek Mioduszewski, Drake Anderson)

March 23/12 p.m. – New York/Park Avenue Armory: ...dance...
Dance-Composition for Mezzo Soprano, Baritone, and Percussion, with live-electronics (Nani Füting, Jeff Gavett, Jacek Mioduszewski, Drake Anderson)

March 23/3 p.m. – New York/Park Avenue Armory: ...dance...
Dance-Composition for Mezzo Soprano, Baritone, and Percussion, with live-electronics (Nani Füting, Jeff Gavett, Jacek Mioduszewski, Drake Anderson)

March 28 – New York/Tenri: "...gesammeltes Schweigen"
Composition after Reiner Bonack for Baritone and Piano/Version for Mezzo Soprano (Nani Füting)

March 28 – New York/Tenri: "werden wir klar werden"
Composition after Kathleen Furthmann for Mezzo Soprano and Ensemble (Nani Füting, Ensemble Mise-En/Mark Liora)

March 30 – Northhampton/Smith College: “…und ich bin Dein Spiegel”
Composition after Mechthild von Magdeburg for Soprano und String Quartet (Kate Soper, Mivos Steichquartett)

April 1 – Seoul/Kumho Art Hall: ist - mensch - geworden
Composition for Flute and Piano (Luna Kang, Youngwoo Lee)

April 13 –New York/Jan Hus Church: "...gesammeltes Schweigen"
Composition after Reiner Bonack for Baritone and Piano/Version for Mezzo Soprano (Beth Griffith)

May 2 – New York/Zankel Hall: ist - mensch - geworden
Composition for Flute and Piano (Luna Kang, James Johnston)

May 2 – New York/Zankel Hall: land - haus - berg
Composition 4 for Piano (James Johnston)

June 8 – Zepernick/St. Ann Church: "in allen landen"
Composition after Kathleen Furthmann for Mixed Chorus a cappella (labia vocalia Vokalensemble/Reiko Füting)

June 14 – Magdeburg/Forum Gestaltung: Three American Folk Songs
Arrangements for Voice and Piano (Nani Füting, Reiko Füting)

June 14 – Magdeburg/Forum Gestaltung: Four German Folk Songs
Arrangements for Voice and Piano (Nani Füting, Reiko Füting)

June 14 – Magdeburg/Forum Gestaltung: "...gesammeltes Schweigen"
Composition after Reiner Bonack for Baritone and Piano/Version for Mezzo Soprano (Nani Füting)

June 14 – Brooklyn/St. Augustine Church: red wall
Composition for Guitar (Dan Lippel)

June 15 – Dublin, NH/Walden Music School: Kaddish: The Art of Losing
Composition for Violoncello and Piano (Mariel Roberts, Laura Barger)

June 19 – Neuberg an der Mürz/Schauerkogelhaus: names, erased (Prélude)
Composition 2 for Violoncello (John Popham) – Brücken in die Gegenwart –

June 20 – Magdeburg/Hoffnungskirche: weht – umweht
Composition after Kathleen Furthmann for Mixed Chorus a cappella (labia vocalia Vokalensemble/Reiko Füting)

June 20 – Magdeburg/Hoffnungskirche: "in allen landen"
Composition after Kathleen Furthmann for Mixed Chorus a cappella (labia vocalia Vokalensemble/Reiko Füting)

June 21 – Chemnitz/Schloßbergmuseum: weht – umweht
Composition after Kathleen Furthmann for Mixed Chorus a cappella(labia vocalia Vokalensemble/Reiko Füting) – Tage Mitteldeutscher Barockmusik –

June 21 – Chemnitz/Schloßbergmuseum: "in allen landen"
Composition after Kathleen Furthmann for Mixed Chorus a cappella(labia vocalia Vokalensemble/Reiko Füting) – Tage Mitteldeutscher Barockmusik –

July 5 – Magdeburg/Gesellschaftshaus: Vier Deutsche Volkslieder
Arrangements for Voice and Piano (Nani Füting, Reiko Füting)

July 31 – Haugesund/Konzerthalle: Mille regretz
Arrangement (Josquin Desprez) for Clarinet, Violin, Violoncello, and Piano (Miguel Pérez Iñesta, Elfa Rún Kristinsdóttir, Steven Walter, Ben Kim) – Haugesund Chamber Music Festival –

July 31 – Haugesund/Konzerthalle: Ach weh des Leiden
Arrangement (Hans Leo Hassler) for Clarinet, Violin, Violoncello, and Piano (Miguel Pérez Iñesta, Elfa Rún Kristinsdóttir, Steven Walter, Ben Kim) – Haugesund Chamber Music Festival –

August 14 – Ahlbeck/Church: atme - erkenne
Composition after Kathleen Furthmann for Mixed Chorus a cappella (Meißner Kantorei/Christfried Brödel))

August 15 – Stralsund/St. Nikolai Church: atme - erkenne
Composition after Kathleen Furthmann for Mixed Chorus a cappella (Meißner Kantorei/Christfried Brödel)

August 16 – Greifswald/St. Mary Church: atme - erkenne
Composition after Kathleen Furthmann for Mixed Chorus a cappella (Meißner Kantorei/Christfried Brödel)

August 27 – Louisville, KY/WUOL performance space: re-fraction: shadows/palimpsest 2
Composition for Violoncello with Violin and Piano (John Popham, Pala Garcia, Renate Rohlfing: longleash Ensemble)

August 30 – New York/Metropolitan Museum: re-fraction: shadows
Composition for Violoncello (John Popham)

August 30 – New York/Metropolitan Museum: re-fraction: shadows/palimpsest
Composition for Violoncello with Violin (John Popham, Pala Garcia)

August 30 – New York/Metropolitan Museum: re-fraction: shadows/palimpsest 2
Composition for Violoncello with Violin and Piano (John Popham, Pala Garcia, Renate Rohlfing: longleash Ensemble)

September 11 – Zwickau/Cathedral: atme - erkenne
Composition after Kathleen Furthmann for Mixed Chorus a cappella (Meißner Kantorei/Christfried Brödel)

September 13 – Kirchberg/St. Margarethen: atme - erkenne
Composition after Kathleen Furthmann for Mixed Chorus a cappella (Meißner Kantorei/Christfried Brödel)

September 15 – Hangzhou/Zhejiang Conservatory: leaving without
Composition 2 for Piano (Jing Yang)

September 18 – Beijing/Beijing Normal University: leaving without
Composition 2 for Piano (Jing Yang)

September 20 – Beijing/Central Conservatory: leaving without
Composition 2 for Piano (Jing Yang)

September 22 – München/Gasteig: "...bis die Zeit ein Ende hat"
Composition after Kathleen Furthmann for Mezzo Soprano and Piano Trio (Monica Sardi, Trio Minori)

September 24 – Tianjin/Tianjin Conservatory: leaving without
Composition 2 for Piano (Jing Yang)

September 28 – Austin, TX/Blanton Museum: red wall
Composition for Guitar (Dan Lippel)

September 29 – San Antonio, TX/University of Texas at San Antonio: red wall
Composition for Guitar (Dan Lippel)

October 11 –Dresden/St. Petri Church: atme - erkenne
Composition after Kathleen Furthmann for Mixed Chorus a cappella (Meißner Kantorei/Christfried Brödel)

October 16 – Bowling Green, OH/Bowling Green State University: "...gesammeltes Schweigen"
Composition after Reiner Bonack for Baritone and Piano/Version for Mezzo Soprano (TBD) – BGSU New Music Festival –

October 16 – Bowling Green, OH/Bowling Green State Universit: "werden wir klar werden"
Composition after Kathleen Furthmann for Mezzo Soprano and Ensemble (TBD, student ensembe/Chris Dietz) – BGSU New Music Festival ––

October 22 – Berlin/Academy of the Arts: tanz.tanz
Composition for Violin (Olivia de Prato)

November 8 –Chemnitz/St. Jakobi Church: atme - erkenne
Composition after Kathleen Furthmann for Mixed Chorus a cappella (Meißner Kantorei/Christfried Brödel)

November 13 – Augusta/University of Maine: land of silence: waves – bridges
Composition (in Refernce to Kathleen Furthmann) for Trumpet, Trombone, Bass Clarinet, and Baritone (loadbang Ensemble)

November 17 – New York/Manhattan School of Music: ist - mensch - geworden
Composition for Flute and Piano (Luna Kang, Jing Yang)

November 17 – New York/Manhattan School of Music: land - haus - berg
Composition 4 for Piano (Jing Yang)

November 18 – New York/Miller Theater:: land of silence: waves – bridges
Composition (in Refernce to Kathleen Furthmann) for Trumpet, Trombone, Bass Clarinet, and Baritone (loadbang Ensemble)

November 20 – New York/DiMenna Center: light, asleep
Composition for Violin and Piano (ECCE Ensemble)

December 6 – Dresden/St. Luke Church: höhen – stufen
Composition after Kathleen Furthmann and Dieter Füting for Soloists, Chorus, and Chamber Orchestra (Singakademie und Sinfonietta Dresden/Ekkehard Klemm)

December 6 – Herrnhut/Church: atme - erkenne
Composition after Kathleen Furthmann for Mixed Chorus a cappella (Meißner Kantorei/Christfried Brödel)

Concerts

June 20 – Magdeburg/Hoffnungskirche: Compositions by Hans Leo Hassler, Michael Praetorius und Reiko Füting (with labia vocalia Vocal Ensemble)

June 21 – Chemnitz/Schloßbergmuseum: Compositions by Hans Leo Hassler, Michael Praetorius und Reiko Füting (with labia vocalia Vocal Ensemble)

June 14 – Magdeburg/Forum Gestaltung: Songs by Pia Monka Nittke and Reiko Füting (with Nani Füting, Mezzo Soprano)

July 5 – Magdeburg/Gesellschaftshaus: Songs by Schubert, Brahms, Strauss und Füting (with Nani Füting, Mezzo Soprano, and Matthias Vieweg, Baritone)

Choir Workshops

June 28/29 – Wenkheim/Synagogue: Artikus e.V. (Artistic Initiative Lauda-Königshofen – Organization for Intercultural Dialogue)

Awards

Abundant Silence Publishing: 1st Prize
Composition Contest (for tanz.tanz Composition for Violin)

Performances

March 3 – New York/Trinity Evangelical Lutheran Church: "silently wanders"/extensio
Composition after E. E. Cummings for Mixed Chorus, Organ, and Violoncello ad libitum (Florilegium Chamber Choir, Peter Adrian, John Popham/Nicholas de Maison)

March 3 – New York/Trinity Evangelical Lutheran Church: "...gesammeltes Schweigen"
Composition after Reiner Bonack for Baritone and Piano/Version for Mezzo Soprano solo (Nani Füting)

March 3 – Ardsley/Ashford Court: names, erased
Composition 2 for Violoncello (John Popham) – Hausmusik –

April 8 – New York/Symphony Space: land of silence
Composition (in Refernce to Kathleen Furthmann) for Trumpet, Trombone, Bass Clarinet, and Baritone (loadbang Ensemble) – Cutting Edge New Music Festival –

June 14 – New York/DiMenna Center: re-fraction: shadows/palimpsest 2
Composition for Violoncello with Violin and Piano (John Popham, Pala Garcia, Renate Rohlfing: longleash Ensemble)

June 30 – Reykjavik/Fríkirkjan: Hine Ma Tov
Arrangement for Guitar (Dan Lippel)

July 16 – San Francisco/Center of New Music: re-fraction: shadows/palimpsest 2
Composition for Violoncello with Violin and Piano (John Popham, Pala Garcia, Renate Rohlfing: longleash Ensemble)

August 25 – New York/Spectrum: Three American Folk Songs
Arrangements for Voice and Piano (Nina Berman, Steve Beck)

September 7 – New York/St. Ann Holy Trinity Church, Brooklyn: names, erased
Composition 2 for Violoncello (John Popham)

September 12 – New York/Opera America: re-fraction: shadows/palimpsest 2
Composition for Violoncello with Violin and Piano (John Popham, Pala Garcia, Renate Rohlfing: longleash Ensemble)

September 15 – Dresden/St. Marienstern, Panschwitz: "der töne licht"
Composition 2 after Kathleen Furthmann for Mixed Chorus a cappella (Singakademie Dresden/Ekkehard Klemm)

September 19 – Stratford-upon-Aven/Holy Trinity Church: "der töne licht"
Composition 2 after Kathleen Furthmann for Mixed Chorus a cappella (Singakademie Dresden/Ekkehard Klemm)

September 20 – Oxford/St. Mary the Virgin: "der töne licht"
Composition 2 after Kathleen Furthmann for Mixed Chorus a cappella (Singakademie Dresden/Ekkehard Klemm)

September 21 – Coventry/Cathedral: "der töne licht"
Composition 2 after Kathleen Furthmann for Mixed Chorus a cappella (Singakademie Dresden/Ekkehard Klemm)

October 3 – New York/Manhattan School of Music: tanz.tanz
Composition for Violin (Holly Jenkins) – MSM Faculty Series –

October 3 – New York/Manhattan School of Music: land – haus – berg
Composition 4 for Piano (Yegor Shevtsov) – MSM Faculty Series –

October 3 – New York/Manhattan School of Music: names, erased
Composition 2 for Violoncello (Mariel Roberts) – MSM Faculty Series –

October 3 – New York/Manhattan School of Music: "...gesammeltes Schweigen"
Composition after Reiner Bonack for Baritone and Piano/Version for Mezzo Soprano solo (Nani Füting) – MSM Faculty Recital Series –

October 3 – New York/Manhattan School of Music: land of silence: waves – bridges
Composition (in Refernce to Kathleen Furthmann) for Trumpet, Trombone, Bass Clarinet, and Baritone (loadbang Ensemble) – MSM Faculty Recital Series –

October 20 – New York/West Side Collegiate Church: Hine Ma Tov
Arrangement for Guitar (Dan Lippel)

November 3 – New York/Good Shepherd Church, Brooklyn: Hine Ma Tov
Arrangement for Guitar (Dan Lippel)

November 4 – New York/DiMenna Center: Hine Ma Tov
Arrangement for Guitar (Dan Lippel) – Red Light New Music Series –

November 4 – New York/DiMenna Center: names, erased
Composition 2 for Violoncello (John Popham) – Red Light New Music Series –

November 4 – New York/DiMenna Center: leaving without/palimpsest
Composition for Piano with Clarinet (Yegor Shevtsov, Christa van Alstine) – Red Light New Music Series –

November 10 – Berlin/Brandenburger To, open air: Hine Ma Tov
Music for Film – Event to Commemorate the November Progroms of 1938 –

November 18 – New York/Manhattan School of Music: “…und ich bin Dein Spiegel”
Composition after Mechthild von Magdeburg for Soprano und String Quartet (Nani Füting, Mivos Steichquartett) – MSM Faculty Composers' Concert –

November 18 – Graz/Kunstuniversität: names, erased
Composition 2 for Violoncello (John Popham)

November 27 – Darmstadt/Die Bessunger Kirche: Hine Ma Tov
Arrangement for Guitar (Dan Lippel)

November 27 – Clevelandt/Museum of Contemporary Art: Hine Ma Tov
Arrangement for Guitar (Dan Lippel)

December 20 – Graz/Kunstuniversität: re-fraction: shadows/palimpsest 2
Composition for Violoncello with Violin and Piano (John Popham, Pala Garcia, Renate Rohlfing: longleash Ensemble)

Concerts

October 27 – New York/Manhattan School of Music: "Mosacis" by Ursula Mamolok (with Yegor Shevtsov, Klavier)

Publications: Article

Strube Verlag: Sacred/Secular Music
Festschrift in Honor of the Retirement of Christfried Brödel

Publications: Podcast

Composer Conversations
Interview with Dan Vezza (Link)

Awards

Civitella Ranieri Foundation: Residency
Summer 2015, Umbertide/Italien
 

Performances

March 16 – Niederlehme/Church: "in allen landen"
Composition after Kathleen Furthmann for Mixed Chorus a cappella (labia vocalia Vocal Ensemble)

March 16 – Niederlehme/Kirche: weht – umweht
Composition after Kathleen Furthmann for Mixed Chorus a cappella (labia vocalia Vocal Ensemble)

March 17 – Magdeburg/Forum Gestaltung:: "in allen landen"
Composition after Kathleen Furthmann for Mixed Chorus a cappella (labia vocalia Vocal Ensemble) – Telemann Festival –

March 17 – Magdeburg/Forum Gestaltung: weht – umweht
Composition after Kathleen Furthmann for Mixed Chorus a cappella (labia vocalia Vocal Ensemble) – Telemann Festival –

March 18 – Steffenshagen/Church: "in allen landen"
Composition after Kathleen Furthmann for Mixed Chorus a cappella (labia vocalia Vocal Ensemble)

March 18 – Steffenshagen/Church: weht – umweht
Composition after Kathleen Furthmann for Mixed Chorus a cappella (labia vocalia Vocal Ensemble)

March 28 – Clemson/University: tanz.tanz
Composition for Violin (Holly Jenkins)

March 28 – Clemson/University: Kaddish: The Art of Losing
Composition for Violoncello and Piano (Dylan Messina, Danny Walden)

March 29 – Greenville/Furman University: tanz.tanz
Composition for Violin (Holly Jenkins)

March 29 – Greenville/Furman University: Kaddish: The Art of Losing
Composition for Violoncello and Piano (Dylan Messina, Danny Walden)

April 14 – New York/Manhattan School of Music: Three American Folk Songs
Arrangements for Voice and Piano (Sveta Verashnia, James Tucker)

April 21 – Oberlin/College: tanz.tanz
Composition for Violin (Holly Jenkins)

May 31 – Wernigerode/Lyceum: Four German Folk Songs
Arrangements for Voice and Piano (Nani Füting)

June 9 – Seoul/Camerata Hall: Two German Folk Songs
Arrangements for Voice and Piano (Nani Füting)

June 10 – Seoul/Sejong Chamber Hall: tanz.tanz
Composition for Violin (Jiyoon Kim)

June 14 – Seoul/Olimpus Hall: Four German Folk Songs
Arrangements for Voice and Piano (Nani Füting)

June 16 – Seoul/Ujung Arts Center: light, asleep
Composition for Violin and Piano (Jiyoon Kim, Jihoon Jun) – TIMF C-Lab Series –

July 5 – Dresden/Leonardi Museum: re-fraction: shadows
Composition for Violoncello (Matthias Lorenz)

July 5 – Dresden/Leonardi Museum: re-fraction: shadows/palimpsest
Composition for Violoncello with Violine (Matthias Lorenz, Karina Bellmann)

July 5 – Dresden/Leonardi Museum: re-fraction: shadows/palimpsest 2
Composition for Violoncello with Violine and Piano (elole: Matthias Lorenz, Karina Bellmann, Stefan Eder)

September 13 – New York/German Consulate: tanz.tanz
Composition for Violin (Olivia de Prato) – Moving Sound Festival –

September 13 – New York/German Consulate: "und ich bin Dein Spiel"
Composition after Mechthild von Magdeburg for Soprano and String Quartet (Nani Fueting, MIVOS String Quartet) – Moving Sound Festival –

October 1 – Fredonia, NY/SUNY: land of silence
Composition (in Refernce to Kathleen Furthmann) for Trumpet, Trombone, Bass Clarinet, and Baritone (loadbang Ensemble)

October 2 – Brooklyn, NY/St. Paul's: land of silence
Composition (in Refernce to Kathleen Furthmann) for Trumpet, Trombone, Bass Clarinet, and Baritone (loadbang Ensemble)

October 13 – Dresden/Church Loschwitz: "mehr als frieden"
Composition after Kathleen Furthmann for Mixed Chorus, Gambas, and Percussion (Saxon Vocal Ensemble/Matthias Jung) – Heinrich Schütz Music Festival –

October 13 – Dresden/Church Loschwitz: "...als ein licht/extensio"
Composition after Kathleen Furthmann for Mixed Chorus, Percussion, and Organ (Saxon Vocal Ensemble/Matthias Jung) – Heinrich Schütz Music Festival –

October 20 – New York/Martin Luther Church: Echo des Lichts
Composition for Organ (Lydia Weißgerber) – MSM Faculty Composers Series –

November 14 – New York/Manhattan School of Music: land of silence
Composition (in Refernce to Kathleen Furthmann) for Trumpet, Trombone, Bass Clarinet, and Baritone (loadbang Ensemble) – MSM Faculty Composers Series –

November 29 – Berlin/Krome Gallery: red wall
Composition for Guitar (Dan Lippel)
 

December 16 – Dresden/St. Anne Church: "...wie wir klar werden"
Composition after Carola Mossbach for Soloists, Mixed Chorus, and Chamber Orchestra (HfKM Chorus, Dresden Baroque Orchestra/Christfried Brödel)

Guest Lectures

June 16 – Seoul/Ujung Arts Center: "Portrait: Quotation and Form

September 13 – New York/German Consulatet: (Panel Discussion): On the performance of "und ich bin Dein Spiegel"

Oktober 2 – New York/Brooklyn College: "Portrait: Quotation and Form

Oktober 13 – Dresden/Loschwitz Cultural Center(Panel Discussion): On the performance of "in allem frieden"

Concerts

March 16 – Niederlehme/Curch: Hassler and Praetorius with the vocal ensemble labia vocalia

March 17 – Magdeburg/Forum Gestaltung: Hassler and Praetorius with the vocal ensemble labia vocalia

March 18 – Rostock/Kirche: Hassler and Praetorius with the vocal ensemble labia vocalia

May 31 – Wernigerode/Lyceum: Lied Recital with Nani Füting (Schumann, Schönberg, u.a.)

June 9 – Heyri/Camerata Hall: Liebesliederwalzer by Brahms

June 10 – Seoul/Sejong Chamber Hall: "Pierrot Lunaire" by Schönberg

June 14 – Seoul/Olympus Hall: Brahms: Lied Recital with Nani Füting (Schumann, Brahms, Schönberg, Vigeland, Füting)

Moderations/Panels

January 21 – New York/EXAPNO New Music Community Center: "Ear To Mind" Second Annual New Music Forum)

Choir Workshops

July 7/8 – Wenkheim/Synagogue: Artikus e.V. (Artistic Initiative Lauda-Königshofen – Organization for Intercultural Dialogue)

Performances

February 8 – New York/INTAR Theater: Ach Elslein, liebes Elselein/extraction
Composition after the German Folk Song/Version for Trumpet in B-flat and Trombone (Andrew Kozar, William Lang) – Tuesday Night Music Series –

February 17 – Wild Project Gallery/New York: Kaddish: The Art of Losing
Composition for Violoncello and Piano (Ben Capps, Yegor Shevtsov) – Avant Music Festival –

February 17 – Wild Project Gallery/New York: leaving without/palimpsest
Composition for Piano with Clarinet (Carol McGonnell, Yegor Shevtsov) – Avant Music Festival –

February 17 – Wild Project Gallery/New York: light, asleep
Composition for Violin and Piano (Josh Modney, Yegor Shevtsov) – Avant Music Festival –

February 17 – Wild Project Gallery/New York: Drei Amerikanische Volkslieder
Arrangements for Voice and Piano (Megan Schubert, Yegor Shevtsov) – Avant Music Festival –

March 24 – New York/Gershwin Hotel: Hine ma tov
Arrangement for Guitar (Dan Lippel)

April 16 – New York/Tenri Cultural Center: Kaddish: The Art of Losing
Composition for Violoncello and Piano (John Popham, Amir Khosrowpour) – Leschetizky Association Concert Series –

May 1 – New York/Christ and St. Stephen's Church: Kaddish: The Art of Losing
Composition for Violoncello and Piano (Ben Capps, Yegor Shevtsov)

May 1 – Bloomsberg, PA/Moose Exchange: land of silence
Composition (in Refernce to Kathleen Furthmann) for Trumpet, Trombone, Bass Clarinet, and Baritone (loadbang Ensemble)

May 2 – Ithaca, NY/Cornell University: land of silence
Composition (in Refernce to Kathleen Furthmann) for Trumpet, Trombone, Bass Clarinet, and Baritone (loadbang Ensemble)

May 3 – Baltimore, MD/Bohemian Cafe: land of silence
Composition (in Refernce to Kathleen Furthmann) for Trumpet, Trombone, Bass Clarinet, and Baritone (loadbang Ensemble)

May 5 – New York/Bulgarian Consulate: tanz.tanz
Composition for Violin (Alexandrina Boyanova)

June 2 – New York/Riverside Church: Kaddish: The Art of Losing
Composition for Violoncello and Pianor (Greg Hesselink, Jonathan Faiman) – Locrian Chamber Players Concert Series –

June 4 – Dresden/St. Petri Church: "...als ein licht/extensio"
Composition after Kathleen Furthmann for Mixed Chorus, Percussion and Organ (Meißner Kantorei/Christfried Brödel) – 33rd Lutheran Convention in Germany –

June 15 – Lecce/Museo Castromediano: tanz.tanz
Composition for Violin (Alexandrina Boyanova)

June 21– Sofia/National Music School "Lubomir Pipkov": tanz.tanz
Composition for Violin (Alexandrina Boyanova)

June 21 – Schönberg/St. Laurentius Church: Mille regretz – Ach weh des Leiden
Arrangements for Violin, Clarinet, Violoncello, and Piano (Emannuelle Bernard, Miguel Pérez-Iñesta, Andreas Voss, Benjamin Kammerer) – Schönberg Summer Music Festival –

June 26 – Niederlehme/School: Three Folk Songs
Arrangements for Voice and Piano (Nani Füting)

July 11 – Varna/Radio Varna Concert Studio: tanz.tanz
Composition for Violin (Alexandrina Boyanova)

July 28 – North Adams, MA/MASS MoCA: leaving without/palimpsest
Composition for Piano with Clarinet (Alejandro Acierto, Karl Larson) – Bang on a Can Summer Festival –

August 12 – Leipzig/St. Nikolai Church: "...als ein licht"
Composition after Kathleen Furthmann for Mixed Chorus a cappalla (Meißner Kantorei/Christfried Brödel)

August 13 – Colditz/St. Egidien Church: "...als ein licht"
Composition after Kathleen Furthmann for Mixed Chorus a cappalla (Meißner Kantorei/Christfried Brödel)

September 24 – Sarasota/New College: tanz.tanz
Composition for Violin (Miranda Cuckson)

October 16 – Meißen/Cathedral: "...als ein licht/extensio"
Composition after Kathleen Furthmann for Mixed Chorus, Percussion and Organ (Meißner Kantorei/Christfried Brödel)

October 20 – Oberlin/Conservatory: tanz.tanz
Composition for Violin (Holly Jenkins)

October 20 – Oberlin/Conservatory: Kaddish: The Art of Losing
Composition for Violoncello and Piano (Dylan Messina, Danny Walden)

October 27 – Pittsburgh/Carnegie Mellon University: land of silence
Composition (in Refernce to Kathleen Furthmann) for Trumpet, Trombone, Bass Clarinet, and Baritone (loadbang Ensemble)

October 30 – Magdeburg/Forum Gestaltung: land – haus – berg
Composition 4 for Piano (Reiko Füting)

October 31– New York/Manhattan School of Music: finden – suchen
Composition for the 60th Birthday of Jörg Herchet for Alto Flute, Violoncello, and Piano (Eric Lamb, John Popham, Yegor Shevtsov) – MSM Faculty Composers Series –

November 10 – New York/Greenwich House of Music: land of silence
Composition (in Refernce to Kathleen Furthmann) for Trumpet, Trombone, Bass Clarinet, and Baritone (loadbang Ensemble)

November 15 – Buffalo/University: tanz.tanz
Composition for Violin (Holly Jenkins)

November 15 – Buffalo/University: Kaddish: The Art of Losing
Composition for Violoncello and Piano (Dylan Messina, Danny Walden)

November 17 – New York/Barge: tanz.tanz
Composition for Violin (Miranda Cuckson) – Bargemusic Concert Series –

November 30 – Valencia/Sala Clemente: land – haus – berg
Composition 4 for Piano (Yegor Shevtsov)

December 1 – Denia/Auditotio del Cetro Social: land – haus – berg
Composition 4 for Piano (Yegor Shevtsov)

December 4 – Dresden/St. Luke's Church: höhen – stufen
Composition after Kathleen Furthmann and Dieter Füting for Soloists, Chorus, and Chamber Orchestra (Singakademie and Sinfonietta Dresden/Ekkehard Klemm)

Concerts

June 12 – Niederlehme/Church: Schütz and Bach/Schemelli with Nani Füting, Mezzo Soprano – Open Church Day –

June 26 – Niederlehme/School: Lecture Recital with piano compositions for children

October 30 – Magdeburg/Forum Gestaltung: Lied Recital with Nani Füting (Debussy, Schönberg,etc.)

Guest Teaching

October 18-20 – Oberlin, OH/College of Music: Composer-in-Residence
Fall Semester – New York/New York University: Guest Faculty
August 15-22 – Magdeburg/Conservatory: Sommer Course of the Class for Children Composers
July 11-18 – Halle/Conservatory: Sommer Course of the Class for Children Composers

Guest Lecture

May 4 – New York/NYU: Portrait: Quotation and Form
June 15 – Berlin/Free University, International Summer University: Portrait: Quotation and Form
September 30 – Rom/Conservatory "S. Cecilia", Euromac 2011 Conference: No. 12 and No. 13 of Schumann's "Kinderszenen": Material and Interpretationm
October 18 – Oberlin/Conservatory: Portrait: Form and Material/Time and Memory
October 19 – Oberlin/Conservatory: Masterclass
October 20 – Oberlin/Conservatory: Masterclass
November 25 – New York/NYU: Portrait: Time and Memory

Moderations/Panels

January 22 – New York/EXAPNO New Music Community Center: "Ear To Mind" First Annual New Music Forum

February 12 – New York/Wild Project Gallery: "Avant Music Festival" Panel Discussione

April 3 – New York/Manhattan School of Music: Portrait: The Composer Joan Tower and her String Quartet "Night Fields"

Publications: Articles

"Ear to Mind" New Music Newspaper: Heights and Distances: The Opening of Nils Vigeland's "Die Jahreszeiten"

Choir Workshops

July 2/3 – Wenkheim/Synagogue: Artikus e.V. (Artistic Initiative Lauda-Königshofen – Organization for Intercultural Dialogue)

Performances

March 16 – Velika Goriza/Pucko Uciliste: land – haus – berg
Composition 4 for Piano (Mia Elezovic)

March 18 – New York/Issue Project Room: land of silence
Composition (in Refernce to Kathleen Furthmann) for Trumpet, Trombone, Bass Clarinet, and Baritone (loadbang Ensemble)

April 4 – New York/Gershwin Hotel: land of silence
Composition (in Refernce to Kathleen Furthmann) for Trumpet, Trombone, Bass Clarinet, and Baritone (loadbang Ensemblet)

April 13 – Manzano/Villa Romano: light, asleep
Composition for Violin and Piano (Olivia de Prato, David Broome)

April 18 – Vienna/Liehartstaler Bockkeller: light, asleep
Composition for Violin and Piano (Olivia de Prato, David Broome)

April 24 – Duluth/University of Minnesota: Two American Folk Songs
Arrangements for Voice and Piano

May 5 – Eau Claire/University of Wisconsin/Eau Claire: Hine ma tov
Arrangement for Guitar (Dan Lippel))

May 26 – Bogotá/EAFIT University: Kaddish: The Art of Losing
Composition for Violoncello and Piano (Matiás Uribe, Alejandra Escobar)

June 29 – Wernigerode/Liebfrauen Church: Three American Folk Songs
Arrangements for Mixed Chorus a cappella (Radio Youth Choir Wernigerode)

July 30– Darmstadt/International Summer Course: Ach Elslein, liebes Elselein
Composition after the German Folk Tune for Violin and Viola (Olivia de Prato, Victor Lowrie) – International Summer Course Darmstadt –

October 23 – Magdeburg/St. Sebastian: "in allen landen"
Composition after Kathleen Furthmann for Mixed Chorus a cappella (labia vocalia Vocal Ensemble)

October 23– Magdeburg/St. Sebastian: weht – umweht
Composition after Kathleen Furthmann for Mixed Chorus a cappella (labia vocalia Vocal Ensemble)

October 24 – Wernigerode/St. Sylvestri: "in allen landen"
Composition after Kathleen Furthmann for Mixed Chorus a cappella (labia vocalia Vocal Ensemble)

October 24 – Wernigerode/St. Sylvestri: weht – umweht
Composition after Kathleen Furthmann for Mixed Chorus a cappella (labia vocalia Vocal Ensemble)

November 1 – New York/Manhattan School of Music: tanz.tanz
Composition for Violine (Miranda Cuckson) – MSM Faculty Composers Series –

November 16 – Berlin/Berliner Salon: Kaddish: The Art of Losing
Composition for Violoncello and Piano (Wayne Foster-Smith, Matthew Rubenstein)

November 16 – Berlin/Berliner Salon: tanz.tanz
Composition for Violine (Melinda Watzel)

November 16 – Berlin/Berliner Salon: leaving without/palimpsest
Composition for Piano with Clarinet (Matthew Rubenstein, Miguel Pérez-Iñesta)

November 18 – Magdeburg/Conservatory: Kaddish: The Art of Losing
Composition for Violoncello and Piano (Wayne Foster-Smith, Matthew Rubenstein)

November 18 – Magdeburg/Conservatory: tanz.tanz
Composition for Violine (Melinda Watzel)

November 18 – Magdeburg/Conservatory: leaving without/palimpsest
Composition for Piano with Clarinet (Matthew Rubenstein, Miguel Pérez-Iñesta)

November 18 – Magdeburg/Conservatory: Mille regretz – Ach weh des Leiden
Arrangements for Violin, Clarinet, Violoncello, and Piano (Miguel Pérez-Iñesta, Melinda Watzel, Wayne Foster-Smith, Matthew Rubenstein)

Concerts

March 23– New York/Kuscioszko Foundation: Lied Recital with Nani Kang, Mezzo Soprano, and Inesa Sinkevych, Piano

June 1 – Berlin/Clavier-Cabinet: Schumann's "Frauenliebe und Leben" with Nani Kang, Mezzo Soprano, and "Kinderszenen" with readings by Kathleen Furthmann

June 2 – Schulpforta/State School: Schumann's "Frauenliebe und Leben" with Nani Kang, Mezzo Soprano, and "Kinderszenen" with readings by Kathleen Furthmann

June 3 – Weimar/Seebach-Stift: Schumann's "Frauenliebe und Leben" with Nani Kang, Mezzo Soprano, and "Kinderszenen" with readings by Kathleen Furthmann

June 4 – Schulzendorf/Patronatskirche: Schumann's "Frauenliebe und Leben" with Nani Kang, Mezzo Soprano, and "Kinderszenen" with by Kathleen Furthmann

June 5 – Niederlehme/Schule: Schumann's "Frauenliebe und Leben" with Nani Kang, Mezzo Soprano, and "Kinderszenen" with readings by Kathleen Furthmann

June 6 – Hütten/Kulturverein: Schumann's "Frauenliebe und Leben" with Nani Kang, Mezzo Soprano, and "Kinderszenen" with readings by Kathleen Furthmann

June 29 – Wernigerode/Liebfrauen Church: Three American Folk Songs with the Radio Youth Choir Wernigerode

August 1 – Niederlehme/Church: Fundraising Concert for the Organ of the Church in Niederlehmee

October 23 – Magdeburg/St. Sebastian: Works by Hassler and Praetorius with the Vocal Ensemble labia vocalia

October 24 – Wernigerode/St. Sylvestri: Works by Hassler and Praetorius with the Vocal Ensemble labia vocalia

Guest Teaching

May 18-21 – Bogotá/Javeriana Universität: Composer-in-Residence
May 24-26 – Medellîn/EAFIT Universität: Composer-in-Residence

Guest Lectures

January 7 – Dresden/Conservatory: No. 12 and No. 13 of Schumann's "Kinderszenen": Material and Interpretation
May 18 – Bogotá/Javeriana University: Portrait: Quotation and Form
May 19 – Bogotá/Javeriana University: Master Class
May 20 – Bogotá/Javeriana University: "Pression" and "Kontrakadenz" by Helmut Lachenmann
May 24 – Medellîn/EAFIT University: Portrait: Quotation and Form
May 25 – Medellîn/EAFIT University: Master Class
July 5 – Wernigerode/Composition Course for Children in the State of Sachsen-Anhalt: Portraits
July 21 – Bad Schandau/Composition Course for Children in Halle: Portrait

Choir Workshops

June 11-13 – Möser/Church: labia vocalia Magdeburg
June 25-29 – Wernigerode/State Music Highschool: Radio Youth Choir Wernigerode
July 3/4 – Wenkheim/Synagogue: Artikus e.V. (Artistic Initiative Lauda-Königshofen – Organization for Intercultural Dialogue)

Moderations

December 6 – New York/The Tank: Portrait: The Composer Carl Christian Bettendorf

Publications: Articles

Red Light Press: Heights and Distances: The Opening of Nils Vigeland's "Die Jahreszeiten"
Festschrift for Nils Vigeland's 60th Birthday

Performances

January 17 – Dresden/Conservatory of Music “Carl Maria von Weber”: "der töne licht"
Composition 2 after Kathleen Furthmann for Mixed Chorus a cappella (Dresden Chamber Choir/Hans-Christoph Rademann) – Academy Dresden Chamber Choir –

February 22 – New York/Café Orwell: Ach Elslein, liebes Elselein
Composition after the German Folk Song for Violin and Viola (Olivia de Prato, Victor Lowrie)

February 24 – New York/Manhattan School of Music: nach-klang: dissolve/palimpsest 2
Composition for Piano with Ensemble (Anne Rainwater, Tactus Ensemble/Jim Baker)

April 27 – New York/CUNY: leaving without
Composition 2 for Piano (Judy Woo)

April 28 – New York/Yamaha Center: leaving without
Composition 2 for Piano (Mia Elezovic)

May 14 – New York/Manhattan School of Music: leaving without
Composition 2 for Piano (Mia Elezovic)

May 30 – Niederlehme/School: Three American Folk Songs
Arrangements for Voice and Piano (Axel Scheidig, Reiko Füting)

May 30 – Berlin/AudioFile: red wall
Composition for Guitar (Dan Lippel)

May 31 – Retschow/Church: red wall
Composition for Guitar (Dan Lippel)

June 1 – Steffenshagen/Church: red wall
Composition for Guitar (Dan Lippel)

June 1 – Medellín/Auditorium Fundadores: Universidad EAFIT: Ach Elslein, liebes Elselein
Composition after the German Folk Song for Violin and Viola (Olivia de Prato, Victor Lowrie)

June 2 – Magdeburg/Forum Gestaltung: red wall
Composition for Guitar (Dan Lippel)

June 2 – Berlin/Clavier-Cabinett: Three American Folk Songs
Arrangements for Voice and Piano (Axel Scheidig, Reiko Füting)

June 2 – Dresden/Conservatory of Music “Carl Maria von Weber”: "über zwischen-weltenn"
Composition after Kathleen Furthmann for Baritone, Piano, and Percussion Quartet (Ensemble Klangnetz/Eberhard Klemm) – Dresden Music Festival –

June 5 – Königs Wusterhausen/Castle: red wall
Composition for Guitar (Dan Lippel)

July 24 –Paris/Yamaha Artist Center: leaving without
Composition 2 for Piano (Jing Yang)

July 28 – Berlin/Clavier-Cabinett: leaving without
Composition 2 for Piano (Jing Yang)

September 4 – New York/The Stone: Kaddish: The Art of Losing
Composition for Violoncello and Piano (John Popham, Yegor Shevtsov) – Red Light New Music Series –

September 18 – Magdeburg/Konservatorium: "...gesammeltes Schweigen"
Composition after Reiner Bonack/Version for Soprano Voice without Accompaniment (Agnes Brya)

October 23 – Bowling Green/Bowling Green State University: infinite spring
Composition for Flute, Clarinet, Guitar, and Percussion (International Contemporary Ensemble ICE) – Bowling Green New Music Festival –

November 2 – New York/Manhattan School of Music: Kaddish: The Art of Losing
Composition for Violoncello and Piano (John Popham, Yegor Shevtsov) – MSM Faculty Composers' Concert Series –

November 6 – New York/The Tank: red wall
Composition for Guitar (Dan Lippel)

November 22 – New York/Tritiny Lutheran Church: weht – umweht
Composition after Kathleen Furthman for Mixed Chorus a cappella (Florilegium Chamber Choir/Nicholas de Maison)

November 30 –Zagreb/Museum Mirima: land – haus – berg
Composition 4 for Piano (Mia Elezovic)

Concerts

May 30 – Niederlehme/School: Lied Recital with Axel Scheidig, bass
June 2 – Berlin/Clavier-Cabinett: Lied Recital with Axel Scheidig, bass
June 5 – Königs Wusterhausen/Castlet: Felix Mendelssohn-Bartholdy/Songs without Words op. 30 no. 3/op. 19 no. 4

Guest Lectures

January 15 – Dresden/Three Kings Church: Portrait: Quote and Reference in Choral Music
February 22 – New York/Café Orwell: Portrait
February 29 – Princeton/Rider University, Westminster Choir College: Portrait: Quote and Reference in Choral Music
April 4 – Hempstead/Hofstra University: Music Theory at the Manhattan School of Music – Music Theory Society of New York State Annual Conference –
June 17 – Berlin/Free University, International Summer University: Portrait: Hierarchies of Form and Material
June 24 – Beijing/Central Conservatory: Three Menuets of the Notenbüchlein for Anna Magdalena Bach: Form and Material
June 25 – Beijing/Central Conservatory: No. 12 and No. 13 of Schumann's "Kinderszenen": Material and Interpretation
June 30 – Beijing/Central Conservatory: Wagner's "Tristan" and Monteverdi's "Cruda amarilli": Melodic Foreground and Harmonic Background
September 29 – Baltimore/John Hopkins University, Peabody Institute of Music: The Analytical Approach of Ulrich Siegele

Choir Workshops

July 4/5 – Wenkheim/Synagogue: Artikus e.V. (Artistic Initiative Lauda-Königshofen – Organization for Intercultural Dialogue)

Moderations

October 29 – New York/Manhattan School of Music: Portrait: The Composer Ned Rorem
November 3 – New York/The Tank: Portrait: The Composers Chris Otto and Robert Morris
November 10 – New York/The Tank: Portrait: The Composer Alex Mincek

Publications: Scores

Schott International: Maria durch ein Dornwald ging
Arrangement for Mixed Chorus a cappella

Publications: CD's

Rachel Payne Edition: Twisted Folk
Arrangements of British and American Folk (Rachel Youngberg Payne, soprano/Reiko Fueting, piano)

Publikationen: Artikel

Music and Church Kassel: Why Am I "Not" Composing Liturgial Music? (with Kathleen Furthmann)

Performances

January 27 – Rostock/Conservatory for Music and Theater: I wonder as I wander
Composition (for Children) after the American Folk Song for Piano (Johanna Furthmann) – Jugend Musiziert –

February 14 – New York/Zankel Hall at Carnegie Hall: “…und ich bin Dein Spiegel”
Composition after Mechthild von Magdeburg for Soprano and String Quartet (Megan Schubert, TactusEnsemble)

February 21 – New York/The Gershwin Hotel: Three American Folk Songs
Arrangements for Voice and Piano (Nina Berman, Jing Yang)

March 17 – Denver/Denver State College: “über zwischen-welten”
Composition after Kathleen Furthmann/Version for Mezzo Soprano, Piano, and Percussion (Bo Chang, Steve Beck, Alex Lipowski) – ECCE Composer’s Series –

March 18 – Louisville, KY/First Unitarian Church: …CE… (Prélude)
Composition 2 for Violoncello (John Popham) – Red Light New Music Southern Tour –

March 21 – Charlston, SC/Redux Contemporary Art Center: …CE… (Prélude)
Composition 2 for Violoncello (John Popham) – Red Light New Music Southern Tour –

April 12 – New York/Tompkins Square Gallery: Ach Elslein, liebes Elselein
Composition after the German Folk Tune for Violin and Viola (Olivia de Prato, Victor Lowrie)

April 12 – New York/The Tank: Ach Elslein, liebes Elselein
Composition after the German Folk Tune for Violin and Viola (Olivia de Prato, Victor Lowrie) – Hifi Festival –

April 14 – New York/Monkey Town: …CE… (Prélude)
Composition 2 for Violoncello (John Popham) – Hifi Festival –

April 18 – New York/Manhattan School of Music: leaving without
Composition 3 for Piano (Inesa Sinkevych)

April 19 – New York/Hungarian Cultural Center: …CE… (Prélude)
Composition 2 for Violoncello (John Popham) – Hifi Festival –

May 3 – New York/St. Peter’s Church: Ach Elslein, liebes Elselein
Composition after the German Folk Tune for Violin and Viola (Olivia de Prato, Victor Lowrie) – Wet Ink Series –

May 11 – New York/Greenwich House of Music: Three American Folk Songs
Arrangements for Voice and Piano (Sheri Hammerstrom, Judy Woo)

May 25 – Oldenburg/Fabrik Rosenstraße: re-fraction: shadows
Composition for Violoncello (Matthias Lorenz)

May 29 – Dresden/Blaue Fabrik: re-fraction: shadows
Composition for Violoncello (Matthias Lorenz)

May 30 – Frankfurt, Main/Werkstatt Enke: re-fraction: shadows
Composition for Violoncello (Matthias Lorenz)

May 31 – Magdeburg/St. Sebastian: “…und wo Du bist”
Composition after Kathleen Furthmann for Vocal Ensemble a cappella (labia vocalia Vocal Ensemble)

July 3 – New York/Gershwin Hotel: leaving without
Composition 2 for Piano (Mia Elezovic)

July 10 – New York/Gershwin Hotel: Three American Folk Songs
Arrangements for Voice and Piano (Megan Schubert, Mia Elezovic)

July 25 – Bad Doberan/Cathedral: “…daß sie Dich behüten”
Composition for the Baptism of Lily Riedel for Mixed Chorus a cappella (after Psalm 91)

August 1 – Hong Kong/Osage Gallerie: Ach Elslein, liebes Elselein
Composition after the German Folk Song for Violin and Viola(Olivia de Prato, William Lane) – Grenzenlos Summer Festival –

September 9 – New York/Manhattan School of Music: Three American Folk Songs
Arrangements for Voice and Piano (Nani Kang, Daniela Bracchi)

September 13 – Magdeburg/St. Petri: “…und wo Du bist”
Composition after Kathleen Furthmann for Vocal Ensemble a cappella (labia vocalia Vocal Ensemble)

October 4 – New York/Connecticut: Three American Folk Songs
Arrangements for Voice and Piano (Sheri Hammerstrom, Judy Woo)

October 24 – Riga/Great Hall of Latvian University: weht – umweht
Composition after Kathleen Furthmann for Mixed Chorus a cappella (RIAS Chamber Choir/Hans-Christoph Rademann)

October 26 – Berlin/Radialsystem: weht – umweht
Composition after Kathleen Furthmann for Mixed Chorus a cappella (RIAS Chamber Choir/Hans-Christoph Rademann) – TENSO Festival –

October 28 – New York/Manhattan School of Music: Ach Elslein, liebes Elselein/extraction
Composition after the German Folk Song/Version for Trumpet in B-flat and Trombone (Andrew Kozar, William Lang)

November 10 – New York/Manhattan School of Music: Ach Elslein, liebes Elselein
Composition after the German Folk Song for Violin and Viola (Olivia de Prato, Victor Lowrie) – MSM Faculty Composers’ Series –

Concerts

June 15 – Niederlehme/School: Lecture Recital with piano miniatures from three centuries

Guest Lectures

July 25 – Shenyang/Northeast University: Architecture and Symbol in Fugues by Johann Sebastian Bach
July 26 – Changchun/Northeast Normal University – Teachers College: Architecture and Symbol in Fugues by Johann Sebastian Bach
July 27 – Changchun/Northeast Normal University: Architecture and Symbol in Fugues by Johann Sebastian Bach
November 5 – New York/Columbia University: Portrait: Conceptual Stages as a Compositional Principle

Choir Workshops

July 5/6 - Wenkheim/Synagogue: Artikus e.V. (Artistic Initiative Lauda-Königshofen – Organization for Intercultural Dialogue)

Publications: Scores

Schott International: Es geht ein' dunkle Wolk' herein
Arrangement for Mixed Chorus a cappella

Performances

January 20 – Bad Doberan/Festsaal: Stufen – Schleifen – Kreise
Composition (for Children) for Piano with Violoncello and Violin (Johanna Furthmann, Eleonora Heiden, Deborah Heiden) – Jugend Musiziert –

January 28 – Oakdale/Carriage House: red wall
Composition for Guitar (Dan Lippel)

February 15 – New York/The Tank: red wall
Composition for Guitar (Dan Lippel) – AMP New Music Series –

February 17 – New York/Manhattan School of Music: …CE… (Prélude)
Composition 2 for Violoncello

April 17 – Berlin/BKA: re-fraction: shadows
Composition for Violoncello (Matthias Lorenz)

April 17 – Berlin/BKA: re-fraction: shadows/palimpsest 1
Composition for Violoncello with Violin (Matthias Lorenz, Karina Bellmann)

April 17 – Berlin/BKA: re-fraction: shadows/palimpsest 2
Composition for Violoncello with Violin and Piano (Ensemble Courage: Matthias Lorenz, Karina Bellmann, Tobias Schwencke) – Unerhörte Musik Series –

May 3 – New York/Festspielhaus Hellerau: leaving without/palimpsest 2
Composition for Piano with Clarinet and Ensemble (Yegor Shevtsov, Sarah Beaty, Wet Ink Ensemble, Carl Bettendorf) – Wet Ink Series –

June 2 – Dresden/Festspielhaus Hellerau: re-fraction: shadows
Composition for Violoncello (Matthias Lorenz, Karina Bellmann)

June 2 – Dresden/Festspielhaus Hellerau: re-fraction: shadows/palimpsest 1
Composition for Violoncello with Violin (Ensemble Courage: Matthias Lorenz, Karina Bellmann)

June 2 – Dresden/Festspielhaus Hellerau: re-fraction: shadows/palimpsest 1
Composition for for Violoncello with Violin and Piano (Ensemble Courage: Matthias Lorenz, Karina Bellmann, Tobias Schwencke)

June 6 – Berlin/Conservatory of Music “Hanns Eisler”: …CE… (Prélude)
Composition 2 for Violoncello (John Popham)

August 2 – Fort Worth/Art Museum: red wall
Composition for Guitar (Dan Lippel)

August 5 – Lübz/Hausmusik: …CE… (Prélude)
Composition 2 for Violoncello (John Popham)

November 5 – New York/Manhattan School of Music: leaving without/palimpsest 2
Composition for Piano with Clarinet and Ensemble (Yegor Shevtsov, Crystal Medina, Ensemble/Magnus Martensson) – MSM Faculty Composers' Series –

November 11 – New York/Manhattan School of Music: Three American Folk Songs
Arrangements for Voice and Piano (Nina Berman, Jing Yang)

November 16 – New York/Good Shepherd Church: nach-klang: dissolve (Etüde)/palimpsest 2
Composition for Piano with Ensemble (Caroline Park, Manhattan Chamber Orchestra/Richard Clark)

November 23 – Schulzendorf/Patronaskirche: Three American Folk Songs
Arrangements for Voice and Piano (Matthias Vieweg, Reiko Füting)

November 24 – Königs Wusterhausen/Bürgerhaus “Hanns Eisler”: Three American Folk Songs
Arrangements for Voice and Piano (Matthias Vieweg, Reiko Füting)

Concerts

March 25 – New York/Manhattan School of Music: Giampaol Bracali: Il Tramanto della luna (Sharon Spinetti, soprano)
May 3 – New York/The Friend‘s Seminary Meeting House: Beat Furrer: Presto (Erin Lesser, flute)
November 23 – Schulzendorf/Patronatskirche: Lied recital with Matthias Vieweg, baritone
November 24 – Königs Wusterhausen/Bürgerhaus “Hanns Eisler”: Lied recital with Matthias Vieweg, baritone

Guest Lectures

May 21 – Beijing/China Central Conservatory of Music: Aural Skills at the Manhattan School of Music
May 23 – Beijing/China Central Conservatory of Music: Aural Skills: Masterclass (1)
May 24 – Beijing/China Central Conservatory of Music: Aural Skills: Masterclass (2)
June 22 – Dresden/Conservatory: Organization of Time in Perotin's "Viderunt omnes"

Choir Workshops

July 4/5 – Wenkheim/Synagogue: Artikus e.V. (Artistic Initiative Lauda-Königshofen – Organization for Intercultural Dialogue)

Performances

February 12 – New York/New York School of Strings: finden-suchen
Composition for the 60th Birthday of Jörg Herchet for Alto Flute, Violoncello, and Piano (Erin Lesser, Christine Christensen, Yegor Shevtsov)

February 12 – New York/New York School of Strings: leaving without
Composition 2 for Piano (Yegor Shevtsov) – Red Light New Music Series –

February 24 – New York/Tenri Cultural Institute: leaving without/palimpsest 1
Composition for Piano with Clarinet  (Yegor Shevtsov, Carol McGonnell) – Wet Ink Music Series –

March 18 – New York/The Construction Company: red wall
Composition for Guitar (Dan Lippel) – Music Under Construction Series –

May 9 – Stockton/University of the Pacific: leaving without/palimpsest 1
Composition for Piano with Clarinet  (Wei Gu, Erin Finkelstein)

May 28 – Beijing/China Central Conservatory of Music Chamber Music Hall: leaving without/palimpsest 1
Composition for Piano with Clarinet – Beijing Modern Music Festival –

May 28 – Beijing/China Central Conservatory of Music Grand Concert Hall: re-fraction: shadows/palimpsest 2
Composition for Violoncello with Violin and Piano – Beijing Modern Music Festival –

July 13 – Berlin/Conservatory of Music “Hanns Eisler”: "über zwischen-welten"
Composition after Kathleen Furthmann for Baritone, Piano, and Percussion Quartet (Matthias Vieweg, Dana Sturm, Percusemble Berlin)

July 25 – New York/The Stone: leaving without/palimpsest 1
Composition for Piano with Clarinet (Joseph Kubera, Carol McGonnell) – S.E.M. Ensemble Recital Series –

September 30 – New York/Tenri Cultural Institute: red wall
Composition for Guitar (Dan Lippel) – The Irving Lippel Project Series –

October 22 – Brooklyn/Monkeytown: red wall
Composition for Guitar (Dan Lippel)– New Voices from Around the World Series –

October 23 – New York/Manhattan School of Music: red wall
Composition for Guitar (Dan Lippel) – New Voices from Around the World Series–

October 27 – New York/Greenwich House of Music: “…gesammeltes Schweigen”
Composition after Reiner Bonack/Version for Alto Voice without Accompaniment (Daisy Press) – Wet Ink Music Series –

October 31 – Dresden/Semper Opera House: weht – umweht
Composition after Kathleen Furthmann for Mixed Chorus a cappella (Dresdner Kammerchor/Hans-Christoph Rademann) – Dresden Chamber Choir Competition –

November 2 – Moscow/Center for Contemporary Art: re-fraction: shadows/palimpsest 2
Composition for Violoncello with Violin and Piano (Ilya Rubinstein, Petr Bobrovski, Alexei Muratov)

November 5 – New York/Good Shepherd Catholic Church: red wall
Composition for Guitar (Dan Lippel)

November 6 – New York/Manhattan School of Music: “über zwischen-welten”
Composition after Kathleen Furthmann for Baritone, Piano, and Percussion Quartet (Matthias Vieweg, Ensemble, Ted Hearne/conductor) – Faculty Composers Concert –

November 17 – Moscow/Hall of the Composer’s Union: leaving without
Composition 2 for Piano (Alexei Muratov)

November 17 – Moscow/Hall of the Composer’s Union: re-fraction: shadows/palimpsest 2
Composition for Violoncello with Violin and Piano (Ilya Rubinstein, Petr Bobrovski, Alexei Muratov) – Moscow Autumn Festival of Contemporary Music –

November 20 – Moscow: Tchaikovsky Conservatory: re-fraction: shadows/palimpsest 2
Composition for Violoncello with Violin and Piano (Ilya Rubinstein, Petr Bobrovski, Alexei Muratov)

November 24 – Schulzendorf/Patronatskirche: “…gesammeltes Schweigen"
Composition after Rainer Bonack for Baritone and Piano (Matthias Vieweg, Reiko Füting)

November 25 – Magdeburg/Schinkelsaal: “...gesammeltes Schweigen"
Composition after Rainer Bonack for Baritone and Piano (Matthias Vieweg, Reiko Füting)

November 25 – Moscow: Institute for Journalism and Literature: re-fraction: shadows/palimpsest 2
Composition for Violoncello with Violin and Piano (Ilya Rubinstein, Petr Bobrovski, Alexei Muratov)

December 17 – New York/St. Andrew’s Church: leaving without
Composition 2 for Piano (Yegor Shevtsov) – Red Light New Music Series –

Concerts

February 3 – New York/Columbia University – Columbia University Music Scholarship Conference for Improvisation –
February 12 – New York/New York School of Strings: Jo Kondo: Walk (Erin Lesser, flute) – Red Light New Music Series –
April 14 – New York/The Friend’s Seminary Meeting House: Jo Kondo: Walk (Erin Lesser, flute) – Wet Ink Music Series –
November 6 – New York/Manhattan School of Music: Nils Vigeland: Die Jahreszeiten (Matthias Vieweg, baritone)
November 24 – Schulzendorf/Patronatskirche: Lied recital with Matthias Vieweg, baritone
November 25 – Magdeburg/Schinkel Hall: Lied recital with Matthias Vieweg, baritone

Guest Lectures

May 28 – Beijing/China Central Conservatory of Music Grand Concert Hall: The Dresden Composer Jörg Herchet: Before 1989/After 1989
June 28 – Berlin/Freie Universität Berlin/International Summer University: Conceptual Stages as a Compositional Principle
November 20 – Moscow/Tchaikovsky Conservatory: Portrait: Aspects of Form, Time, and Space
Choir Workshops

July 1/2 - Wenkheim/Synagogue: Artikus e.V. (Artistic Initiative Lauda-Königshofen – Organization for Intercultural Dialogue)

Performances

January 29 – Dresden/Kreuzkirche: “…als aus nacht himmel wurde”
Composition after Kathleen Furthmann for Mixed Chorus, Flute, and Bass Trombone (HfKM Chorus Dresden/Christfried Brödel, Karoline Schulz, Christoph Auerbach)
– Vespers to Commemorate the 60th Anniversary of the Destruction of Dresden –

March 19 – New York/Manhattan School of Music: re-fraction: shadows
Composition for Violoncello (Christine Christensen)

June 15 – New York/The Bowery Poetry Club: re-fraction: shadows/palimpsest
Composition for Violoncello with Violin (Miranda Cuckson, Joanne Lin) – Wet Ink Music Series –

July 6 – Berlin/Freie Universität: “gesammeltes Schweigen"
Composition after Rainer Bonack for Baritone und Piano (Matthias Vieweg, Reiko Füting) – The American Academy in Berlin –

October 14 – New York/Tenri Cultural Center: red wall/palimpsest
Composition for Guitar, Piano, Percussion, and Saxophone (Flexible Music Ensemble) – Wet Ink Music Series –

November 7 – New York/Manhattan School of Music: re-fraction: shadows/palimpsest 2
Composition for Violoncello with Violin and Piano (Miranda Cuckson, Christine Christensen, Yegor Shevtsov) – MSM Faculty Composers Concert –

November 20 – New York/Cake Shop: Nature Piece no. 2
Arrangement of the Piano Composition by Morton Feldman for 2 Saxophones und 2 Guitars (Zs Ensemble) – Wet Ink Music Series –

Concerts

March 14 – New York/Manhattan School of Music: Anton Webern: Songs op. 3 (Daisy Press, soprano)
March 19 – New York/Manhattan School of Music: Anton Webern: Pieces op. 11 (Christine Christensen, violoncello)
May 7 – New York/Manhattan School of Music: Anton Webern: Songs op. 3, op. 25 (Daisy Press, soprano)
May 8 – New York/Manhattan School of Music: Robert Schumann: Liederkreis op. 39 (Emir Isik, baritone)
May 28 – Dresden/Conservatory: Lydia Weißgerber: wiederkehrend
June 11 – Dresden/Zionskirche: Lydia Weißgerber: wiederkehrend
July 6 – Berlin/Freie Universität: Reiko Füting: “...gesammeltes Schweigen" (Matthias Vieweg, Reiko Füting)

Guest Lectures

June 24 - Dresden/Conservatory: A comparison of stylistic associations in selected operas by Strauss and Berg
July 6 – Berlin/Free University Berlin/International Summer University: “Re-Action" as a Compositional Prinicple

Choir Workshops

July 2/3 - Wenkheim/Synagogue: Artikus e.V. (Artistic Initiative Lauda-Königshofen – Organization for Intercultural Dialogue)

Performances

January 22 – New York/Greenwich House of Music: nach-klang: dissolv (Etüde)
Composition 3 for Piano (Caroline Park) – Wet Ink Music Series –

January 29 – New York/Manhattan School of Music: leaving without
Composition 2 for Piano (Ruben Yessayan)

March 8 – Orleans/Salle de L'institut: nach-klang: dissolve (Etüde)
Composition 3 for Piano (Caroline Park)

April 2 – New York/The Friend‘s Seminary Meeting House: nach-klang: dissolve/palimpsest
Composition for Piano with Flute and Bassoon (Scarborough Trio) – Wet Ink Music Series –

April 13 – New York/Manhattan School of Music: Ach Elslein, liebes Elselein
Composition 1 after the German Folk Tune for Violin and Viola (Cecee Pantikian, Hayley Neher) – Transit Music Series –

April 26 – Tashkent/State Conservatory: finden-suchen
Composition for the 60th Birthday of Jörg Herchet for Alto Flute, Violoncello, and Piano (Ensemble courage, Dresden) – Festival of Contemporary Music Tashkent –

August 28 – Eisenach/Wartburg: atme-erkenne
Composition after Kathleen Furthmann for Mixed Chorus and Trombone (Incanto Weimar/Tilo Krause, Jörg Leitz) – MDR Music Summer Festival –

November 14 – New York/St. Andrew’s Methodist Church: leaving without
Composition 2 for Piano (Renate Rohlfing) – Red Light New Music Series –

November 18 – New York/Manhattan School of Music: “…gesammeltes Schweigen”
Composition after Rainer Bonack for Baritone and Piano (Matthias Vieweg, Reiko Füting)

November 21 – Königs Wusterhausen/Bürgerhaus “Hanns Eisler”: “…gesammeltes Schweigen"
Composition after Rainer Bonack for Baritone and Piano (Matthias Vieweg, Reiko Füting)

November 23 – Wernigerode/Lyceum: “…gesammeltes Schweigen"
Composition after Rainer Bonack for Baritone and Piano (Matthias Vieweg, Reiko Füting)

November 25 – Berlin/Schwarzsche Villa: “…gesammeltes Schweigen"
Composition after Rainer Bonack for Baritone and Piano (Matthias Vieweg, Reiko Füting)

November 27 – Dresden/Pianosalon: “…gesammeltes Schweigen"
Composition after Rainer Bonack for Baritone and Piano (Matthias Vieweg, Reiko Füting)

Concerts

January 31 – New York/Music Under Construction: Chamber music by Kagel and Dahlgreen – Music Under Construction Series –
May 13 – New York/Irish Arts Center: Schumann: Liederkreis op. 39 (Emir Isik, baritone)
November 18 – New York/Manhattan School of Music: Lied recital with Matthias Vieweg, baritone
November 21 – Königs Wusterhausen/Bürgerhaus “Hanns Eisler”: Lied recital with Matthias Vieweg, baritone
November 23 – Wernigerode/Lyceum: Lied recital with Matthias Vieweg, baritone
November 25 – Berlin/Schwarzsche Villa: Lied recital with Matthias Vieweg, baritone
November 27 – Dresden/Pianosalon: Lied recital with Matthias Vieweg, baritone

Guest Teaching

Srping Semester – New York/New School UniversityUniversity: Guest Faculty

Guest Lectures

January 28 – New York/Manhattan School of Music: Pre-concert lecture: Beethoven and Schubert (American String Quartet)

Choir Workshops

July 3/4 – Wenkheim/Synagogue: Artikus e.V. (Artistic Initiative Lauda-Königshofen – Organization for Intercultural Dialogue)
July 5-7 – Wernigerode/State Music Highschool: Radio Youth Choir Wernigerode

Performances

June 19 – Dresden/Conservatory: Ach Elslein, liebes Elselein
Composition after the German Folk Song for Violin and Viola (Barbara Tzschoppe, Daniel Schultze)

August 28 – Ostrava/Philharmonic: "...erst im erschrockenen Raum"
Composition after Rainer Maria Rilke for Mezzo Soprano and Orchestra (Petra Saverova, Janacek Philharmonic Orchestra/Peter Vronsky) – Ostrava Days of New Music Festival –

September 25 – Heilbronn/K3: gleichzeitig nacheinander
Composition 1 for Piano (Reiko Füting) – International Piano Forum …antasten… Heilbronn –

November 1 – Dresden/Blaue Fabrik: finden-suchen
Composition for the 60th Birthday of Jörg Herchet for Alto Flute, Violoncello, and Piano (Karoline Schulz, Matthias Lorenz, Uwe Krause)

November 7 – New York/Manhattan School of Music: leaving without
Composition 2 für Piano (Ruben Yessayan)

November 14 – New York/Manhattan School of Music: "silently wanders"
Composition after E. E. Cummings for Mixed Chorus a cappella (Tactus Ensemble/Patti Monson)

Concerts

April 19 – Loevenworth/Canyon Wren Recital Hall: Chamber recital with Hayley Neher, viola and Andrew Blanco, percussion
April 10 – Albany: Chamber recital with Hayley Neher, viola and Andrew Blanco, percussion
April 24 – New York/Manhattan School of Music: Chamber recital with Hayley Neher, viola and Andrew Blanco, percussion
August 25 – Ostrava/Conservatory: Todd Tarrantino: Chamber Concerto – Ostrava Days of New Music Festival –
August 26 – Ostrava/Conservatory: Sam Hillmer: this is what it’s like most of the time – Ostrava Days of New Music Festival –
September 20 – Heilbronn/K3: Piano recital with compositions by Dresden composers – International Piano Forum …antasten… Heilbronn –

Guest Lectures

November 7 – New York/Manhattan School of Music: Introduction to the Composition for Piano “leaving without”

Choir Workshops

July 4-6 – Wenkheim/Synagogue: Artikus e.V. (Artistic Initiative Lauda-Königshofen – Organization for Intercultural Dialogue)

Publications: Articles

Publisher Klaus-Jürgen Kamprad: Return and Opening the Space: The First Composition for Piano by Jörg Herchet
Festschrift for Jörg Herchet's 60th Birthday

Radio Broadcasts: Piano

February 27 – MDR Kultur
Michael Flade: unverbunden strömt verbindlich – Composition for Piano (Reiko Füting, piano) – Radio Series "Eigenart blüht auf 1" –

Performances

February 16 – Bamberg/Konzerthalle: 5 Internationale Volkslieder
Arrangement for Women’s Chorus (Musica Viva Chor Bamberg/Fritz Braun)

March 14 – London/St. Mary´s Church: leaving without
Composition 2 for Piano (Arielle Levioff)

April 18 – New York/Manhattan School of Music: light, asleep
Composition for Violin and Piano (Tylor Neist, Reiko Füting)

May 13 – Freiburg/E-Werk: gleichzeitig nacheinander
Composition 1 for Piano (Reiko Füting)

May 14 – Stuttgart/Landesbank: gleichzeitig nacheinander
Composition 1 for Piano (Reiko Füting)

June 2 – New York/Merkin Concert Hall: leaving without
Composition 2 for Piano (Arielle Levioff)

June 7 – Gutenzell/ehem. Kolonialwarenhandlung: gleichzeitig nacheinander
Composition 1 for Piano (Reiko Füting)

June 8 – Heilbronn/K3: gleichzeitig nacheinander
Composition 1 for Piano (Reiko Füting)

June 10 – Dresden/Klaviersalon: gleichzeitig nacheinander
Composition 1 for Piano (Reiko Füting)

September 27 – New York/Greenwich House of Music: gleichzeitig nacheinander
Composition 1 for Piano (Reiko Füting) – Wet Ink Music Series –

October 7 – Dresden/Drei Königs Kirche: “silently wanders”
Composition after E. E. Cummings Mixed Chorus a cappella (Saxon Vocal Ensemble/Matthias Jung) – Dresden Days of Contemporary Music Festival –

October 12 – Magdeburg/Kloster Unser lieben Frauen: ”...gesammeltes Schweigen”
Composition after Rainer Bonack for Baritone and Piano (Matthias Vieweg, Reiko Füting) – 2nd Magdeburg Concert Festival –

October 13 – Magdeburg/Kloster Unser lieben Frauen: Telemann-Variations
Instrumentation of the Piano Composition by Max Reger for Chamber Orchestra(Sinfonietta Dresden/Eckehart Stier) – 2nd Magdeburg Concert Festival –

October 13 – Eichwalde/Alte Feuerwache: ”...gesammeltes Schweigen”
Composition after Rainer Bonack for Baritone and Piano (Matthias Vieweg, Reiko Füting)

November 24 – Berlin/Jüdisches Waisenhaus: gleichzeitig nacheinander
Composition 1 for Piano (Caroline Park)

Concerts

May 5 – New York/Church of the Incarnation: Lied recital with Peter Foltz, tenor
May 13 – Freiburg/E-Werk: Piano recital with compositions by Dresden composers
May 14 – Stuttgart/Landesbank: Piano recital with compositions by Dresden composers
June 7 – Gutenzell/ehem. Kolonialwarenhandlung: Piano recital with compositions by Dresden composers
June 8 – Heilbronn/K3: Piano recital with compositions by Dresden composers
June 10 – Dresden/Pianosalon: Piano recital with compositions by Dresden composers
September 27 – New York/Greenwich House of Music: Piano recital with compositions by Dresden composers
October 12 – Magdeburg/Concert Hall: Lied recital with Matthias Vieweg, baritone – Festival 2. Magdeburgisches Concert –
October 13 – Eichwalde/Alte Feuerwache: Lied recital with Matthias Vieweg, baritone

Guest Lectures

July 4 – Leipzig/University: Piano music by Michael Flade and Reiko Füting

Choir Workshops

July 6/7 – Wenkheim/Synagogue: Artikus e.V. (Artistic Initiative Lauda-Königshofen – Organization for Intercultural Dialogue)