2018

New York, NY, USA: New School University/Mannes School of Music
Portrait: Political Music: Is There Such a Thing?

Leipzig, DEU: University
Portrait: Form und Material – Zeit und Gedächtnis

2016

Philadelphia, PA, USA: University of Pennsylvania
Portrait: Form and Material – Time and Memory

2015

Boston, MA, USA: Boston University
College Music Society Panel Discussion: Teaching Composition in the 21st Century

Umbertide, ITA: Civitella Ranieri
Portrait: Form and Material – Time and Memory

2012

Brooklyn, NY, USA: Brooklyn College
Portrait: Form and Material – Time and Memory

Seoul, KOR: TIMF C-Lab
Portrait: Form and Material – Time and Memory

2011

New York, NY, USA: New York University
Portrait: Form and Material – Time and Memory

Oberlin, OH, USA: Oberlin Conservatory
Portrait: Form and Material – Time and Memory

Rome, ITA: Santa Cecilia Conservatory
Euromac Conference: No. 12 and No. 13 of Schumann’s “Kinderszenen”: Material and Interpretation

Berlin, DEU: Freie Universität/The American Academy
Portrait: Zitat und Form

New York, NY, USA: New York University
Portrait: Quotation and Form

2010

Halle, DEU: Kinderkomponistenklasse /Konservatorium
Portrait: Hierarchien von Form und Material

Magdeburg, DEU: Kinderkomponistenklasse
Portrait: Hierarchien von Form und Material

Mêdellin, COL: EAFIT University
Portrait: Quotation and Form

Bogotá, COL: Javeriana University
Portrait: Quotation and Form

Dresden, DEU: Musikhochschule “Carl Maria von Weber”
Nr. 12 and No. 13 von Schumanns “Kinderszenen”: Material und Interpretation

2009

Baltimore, MD, USA: Peabody School of Music/John Hopkins University
Analytical Approaches by Ulrich Siegele

Beijing, CHN: Central Conservatory
Conceptual Stages to three Minuets of the “Notenbüchlein für Anna Magdalena Bach:
Form and Material

Conceptual Stages to the last two pieces of Schumann’s “Kinderszenen":
Material and Interpretation

Conceptual Stages to the beginnings of Monteverdi’s “Cruda amarilli” and Wagner’s “Tristan”:
Harmonic Background and Melodic Foreground

Berlin, DEU: Freie Universität/The American Academy
Portrait: Hierarchien von Form und Material

Hempstead, NY, USA: Hofstra University
Music Theory at the Manhattan School of Music

Princeton, NJ: Westminster Choir College/Rider University
Portrait: Hierarchies of Form and Material

2008

New York, USA: Columbia University
Portrait: Hierarchies of Form and Material

Shenyang, CHN: Northeast University
Architecture and Symbol in the Fugues of Johann Sebastian Bach

Changchun, CHN: Teachers College
Architecture and Symbol in the Fugues of Johann Sebastian Bach

Changchun, CHN: Northeast Normal University
Architecture and Symbol in the Fugues of Johann Sebastian Bach

2007

Beijing, CHN: Central Conservatory
New Approaches to Aural Skills

Dresden, DEU: Musikhochschule “Carl Maria von Weber”
Zeitorganisationen in Perotins “Viderunt Omnes”

2006

Moscow, RUS: Tchaikovsky Conservatory of Music
Portrait: Aspects of Form, Time, and Space

Beijing, CHN: Central Conservatory
The Dresden Composer Jörg Herchet: Before/After 1989

Berlin, DEU: Freie Universität/The American Academy
Portrait: The Compositional Concept of Stages

2005

Berlin, DEU: Freie Universität/The American Academy
Portrait: The Compositional Concept of Re-Action

Dresden, DEU: Musikhochschule “Carl Maria von Weber”
Stilistische Assoziationen in den Opern von Richard Strauss

2002

Leipzig, DEU: Universität
Die Klaviermusik von Michael Flade

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2016

Philadelphia, PA, USA: University of Pennsylvania

2011

Oberlin, OH, USA: Oberlin Conservatory

2010

Magdeburg, DEU: Kinderkomponistenklasse
Halle, DEU: Kinderkomponistenklasse
Mêdellin, COL: EAFIT University
Bogotá, COL: Javeriana University

2006

Beijing, CHN: Central Conservatory