Undergraduate level
Form and Analysis (analyses of compositional techniques from the Middle Ages to the present)
Freshman Composition Seminar (introduction to compositional techniques of the 20th century)
Freshman Instrumentation (study of orchestral instruments and writing from small ensembles)
Junior Orchestration (study of orchestrational techniques of the 20th and 21st century)
Graduate level
Form and Analysis (analyses of compositional techniques of works from the Middle Ages to the present)
Score Reading (piano realizations of two-part compositions to chamber music and orchestra)
Advanced Orchestration (analysis of orchestrational techniques from Haydn to the present)
Undergraduate, graduate, and doctoral level
Composition (private composition studio teaching)
Composition Forum (forum for discussion among the composition students and with guest composers)
Form and Analysis (analyses of compositional techniques from the Middle Ages to the present)
Freshman Composition Seminar (introduction to compositional techniques of the 20th century)
Freshman Instrumentation (study of orchestral instruments and writing from small ensembles)
Junior Orchestration (study of orchestrational techniques of the 20th and 21st century)
Graduate level
Form and Analysis (analyses of compositional techniques of works from the Middle Ages to the present)
Score Reading (piano realizations of two-part compositions to chamber music and orchestra)
Advanced Orchestration (analysis of orchestrational techniques from Haydn to the present)
Undergraduate, graduate, and doctoral level
Composition (private composition studio teaching)
Composition Forum (forum for discussion among the composition students and with guest composers)
Undergraduate level
Freshman Theory (introduction to species counterpoint, common practice harmony, and simple forms)
Sophomore Theory (introduction to music of the 18th, 19th, and the 20th century)
Sophomore Aural Skills (sight-singing and dictation based on examples from the 19th and 20th century)
Graduate level
Graduate Theory 2 (introduction to music of the 20th century)
Beethoven String Quartets (elective analyzing the string quartets by Beethoven)
20th Century Theory (elective analyzing music of the 20th and 21st century)
Doctoral Level
Doctoral Theory (in-depth analysis of music from the Middle Ages to the present, including pedagogy)
Freshman Theory (introduction to species counterpoint, common practice harmony, and simple forms)
Sophomore Theory (introduction to music of the 18th, 19th, and the 20th century)
Sophomore Aural Skills (sight-singing and dictation based on examples from the 19th and 20th century)
Graduate level
Graduate Theory 2 (introduction to music of the 20th century)
Beethoven String Quartets (elective analyzing the string quartets by Beethoven)
20th Century Theory (elective analyzing music of the 20th and 21st century)
Doctoral Level
Doctoral Theory (in-depth analysis of music from the Middle Ages to the present, including pedagogy)
Graduate level
Music of the Second Viennese School (analysis of the music of the Second Viennese School)
Music of the Second Viennese School (analysis of the music of the Second Viennese School)
Graduate level
20th Century German Operas (elective analyzing operas from Strauss to Lachenmann)
20th Century German Operas (elective analyzing operas from Strauss to Lachenmann)
Undergraduate level
Piano Sight Reading (emphasis on pieces from the Classical period to the 20th century)
Piano Sight Reading (emphasis on pieces from the Classical period to the 20th century)
Undergraduate/graduate level
Instrumental Music from around 1600
Operas of the 20th Century
Piano Music after 1950
The Violin Sonata by Jean Papineau-Couture
Alban Berg and Program Music
The String Quartets by Béla Bartók
For Philip Guston by Morton Feldman
Rebonds by Iannis Xenakis
Instrumental Techniques in the Music by Helmut Lachenmann
Compositional Techniques of the 20th Century Extended techniques on string instruments
Instrumental Music from around 1600
Operas of the 20th Century
Piano Music after 1950
The Violin Sonata by Jean Papineau-Couture
Alban Berg and Program Music
The String Quartets by Béla Bartók
For Philip Guston by Morton Feldman
Rebonds by Iannis Xenakis
Instrumental Techniques in the Music by Helmut Lachenmann
Compositional Techniques of the 20th Century Extended techniques on string instruments
24 Preludes and Fugues by Henry Martin
Henri Martin: The Composer, His Music, and “In His Own Words"
Julio Estrada, European Composer: An Introduction
Synchronisms 10 for Guitar and Electronic Sounds by Mario Davidovski
Taoistic Influences on the Music of Isang Yun
Nikos Skalkottas’s Ten Greek Dances for Piano: An Edition
The History of Church Music in St. Mary the Virgin
An Analysis of the Poetry, Music, and Rhetoric of Barbara Stozzi
Chinese Model Drama
The Music of Virko Baley
The Second String Quartet by Alexander Zemlinsky
The Un-classical Guitar: A Method for Students
The Miniature Cycle: Four Case Studies
The Art of Variation: Niccolò Paganini’s Caprice No. 24
Structural Integrity in China Gates by John Adams
Richard Danielpour’s The Celestial Circus: A Performance Guide
Isorhythm in the last Works by Igor Stravinsky
Georges Enescu’s Piano Sonatas
The Formation of a Musical Aesthetic in the Music of Isang Yun
Semiology and Cognition: The Physicality of the Composer-Performer
Stefan Wolpe’s Suite im Hexacord – Influences from the Bauhaus in Weimar
Teaching Aural Skills in the 21st Century
Henri Martin: The Composer, His Music, and “In His Own Words"
Julio Estrada, European Composer: An Introduction
Synchronisms 10 for Guitar and Electronic Sounds by Mario Davidovski
Taoistic Influences on the Music of Isang Yun
Nikos Skalkottas’s Ten Greek Dances for Piano: An Edition
The History of Church Music in St. Mary the Virgin
An Analysis of the Poetry, Music, and Rhetoric of Barbara Stozzi
Chinese Model Drama
The Music of Virko Baley
The Second String Quartet by Alexander Zemlinsky
The Un-classical Guitar: A Method for Students
The Miniature Cycle: Four Case Studies
The Art of Variation: Niccolò Paganini’s Caprice No. 24
Structural Integrity in China Gates by John Adams
Richard Danielpour’s The Celestial Circus: A Performance Guide
Isorhythm in the last Works by Igor Stravinsky
Georges Enescu’s Piano Sonatas
The Formation of a Musical Aesthetic in the Music of Isang Yun
Semiology and Cognition: The Physicality of the Composer-Performer
Stefan Wolpe’s Suite im Hexacord – Influences from the Bauhaus in Weimar
Teaching Aural Skills in the 21st Century